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Just (Be)Cause - Chapter 16

By: lulzies on Jul 6th, 2012  |  syntax: None  |  size: 15.33 KB  |  hits: 211  |  expires: Never
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  1. 17
  2.  
  3. >You hum happily, as you slowly run the blade across another blade’s edge.
  4. >It lets out a nice hum as it skids, leaving you in a smile.
  5. >You examine it carefully, watching as the light reflected and dances across the polished surface.
  6. >You run your fingertip above it, noting the broken skin.
  7. >You then hold the knife on its flat sides, handle down to the ground.
  8. >You lift the knife, and aim.
  9. >In a flick, the knife cuts through the air and lands on its target.
  10.  
  11. >”N-not fair!”
  12. “Too bad, I win.”
  13. >Luna pouts, and buries her head in the pillow.
  14. >You were always better at darts.
  15. “That is twenty points for me-“
  16. >You scribble down the numbers on a notepad.
  17. >Luna squints her eyes- and takes aim.
  18. >Luna lifts a dart with her magic, and shoots it off.
  19. “Oy, that’s cheating.”
  20. >”Too bad.”
  21. >She pokes her tongue out in mock humor.
  22.  
  23. >You grin, and flick again.
  24. >Another tiny sliver goes into the darkness.
  25. >And with it, an agonized groan.
  26. “You having fun in there, buddy?”
  27. >You smile and walk towards the board.
  28. >He’s blindfolded, and a bloody rag is tied around his mouth.
  29. >You notice your mark on his left hand, right through his palm.
  30. >You pat the guy in the cheek, making sure he is alive.
  31. >His lips tremble, and he starts to shake.
  32. “Hey, I was on a date last night.”
  33. >You grab the knife, and pull it out, nice and easy.
  34. >He lets out another scream.
  35. >Muffled one, sadly.
  36. “A bird told me how to woo the ladies.”
  37. >You twirl the knife, as you return to your place.
  38. >You take another aim.
  39. “Aim for the heart.”
  40. >Another flick.
  41.  
  42. >You wipe the red liquid from your hands, as you take the small bundle of green.
  43. >You pocket it, and nod happily.
  44. >It was a nice paying job.
  45. >The man pats you once, and you go into the room again.
  46. >You put on your gloves, and set to work.
  47. >You take a seat, and start tapping your fingers.
  48. >Dis gon be good.
  49. >Soon enough, you hear thrashing down the hall.
  50. >And so it begins.
  51. >Two heavy men kick open the door, and with them, come another victim.
  52. >But wait.
  53. >There’s more.
  54. >It’s a woman.
  55. >This just became interesting.
  56. >They lock her wrists to the wall, on the provided clamps, of course.
  57. >You wanted to see some action here.
  58. “Boys, can you make it quick? I want to be home by dinner.”
  59. >The two grunt, and back away from the hapless female.
  60. >They take the sides, and stare stoically at you.
  61. >You shrug.
  62. “Not leaving?”
  63. >They shake their heads.
  64. “Fine.”
  65. >You take your knife, and walk closer to the girl.
  66. >You can hear her scared whimpers behind her bounds.
  67. >You’re just picking up pieces here; she has a sack over her head.
  68. >You grab it, and quickly pull it off.
  69. >She looks to you with horror.
  70. >With those beady eyes, you’re guessing some lad out there was getting lucky.
  71. >She had her brown hair tied to a pony tail, with her front hair let down.
  72. “The usual treatment?” You ask to the guards.
  73. >”The boss wanted a quick slice, he needs the shipment quickly.”
  74. >You shrug.
  75. >You hold her face, and slowly cock it backwards.
  76. >She’s thrashing, but you hold on.
  77. >You place the tip of the knife on her throat.
  78. >Before you can do a quick slice, she knees you in the groins.
  79. >You wince and miss, missing her neck entirely.
  80. >The guards laugh in unison.
  81. >You sigh as the edges of the gag ripping off.
  82. >The girl will shoot her mouth off.
  83. >Actually, she’s not.
  84. >She slowly makes eye-contact with you, and mutters a word you thought you’ll never hear.
  85. >”Dad?”
  86.  
  87. >You pause, and your hand trembles.
  88. >You knew that face from anywhere.
  89. >A guard slaps the back of your head.
  90. >”You doing it or not?”
  91.  
  92. >He just hit you.
  93.  
  94. >You twirl the knife in your hand, turning the tip downwards.
  95. >In a single sweep, you plunge the knife into his neck.
  96. >His eyes go wide, and he grabs your hand.
  97. >You ignore the man, and turn to the other guard.
  98. >As he reaches his hand to grab the firearm, you are already over his head.
  99. >You force the head down to your waiting knee.
  100. >The other one’s grasp is weakening.
  101. >As the guard turns over to fire at you, you deliver a heel to his neck.
  102. >He goes limp, and you turn to the girl.
  103. >She’s completely pale, staring at you with fear.
  104. “Sophie.”
  105. >She nods.
  106. >You open the clamps, freeing her completely.
  107. >She silently approaches you, and then delivers a wide slap.
  108. >Your head recoils in the impact.
  109. >You stagger for a second, and look at her again.
  110. >”After all these years…”
  111. >You can see her eyes starting to moisten.
  112. >She steps up again, and readies to deliver another slap.
  113. >You grab her arm mid-air, and stare into her eyes.
  114. “Yes, all those years. Hello.”
  115. >You then rush in for a hug, holding Sophie close.
  116. >She returns the gesture, sobbing into your shoulders.
  117. >”Y-you killed them…”
  118. >You hold her closer, and you lead her out.
  119. >You quickly pace through the hallways, holding Sophie’s hands tight.
  120. >Wait, you knew that name before.
  121.  
  122. >Aw shit.
  123.  
  124. >Ignoring that thought, you lead her out of the ‘facility’.
  125. >You let her in the car, and drive off.
  126. >It’s been a while since the any of you talked.
  127. “So- Sophie, how was things?”
  128. >She slowly turns her head to you.
  129. >”You’re asking me- how I was after all these years? And that place?”
  130. >You shrug.
  131. “What do you want for dinner?”
  132. >She almost lets out a smile, before forcing herself into a frown.
  133. >”Drop me off in my house.”
  134. >She tells you which way to go, turn-by-turn.
  135. >You find yourself in a simple complex of houses, seems like a nice neighborhood.
  136. >You stop in front of the designated house, and Sophie immediately jumps out.
  137. “Should I visit?”
  138. >She slams the car door.
  139. >That’s a yes.
  140. >You see your little girl- well- your supposed little girl walks up to her home.
  141. >You sit in your car seat, as her door flings open.
  142. >Two unfamiliar couple bursts out, and they embrace your daughter.
  143. >The three hold each other for a while.
  144. >The man looks to your parked vehicle, and he frowns.
  145. >He then let’s go, and slowly comes up to knock on your window.
  146. “How may I help you?”
  147. >You smile, as you lower the window.
  148. >”Do you have any business here?”
  149. >You shake your head.
  150. “I’m just here to see my daughter.”
  151. >And with that, you drive off.
  152. >You are getting rid of this car, for sure.
  153. >It was rental anyway.
  154. >Not wanting to wait till this problem grows- you decide to take care of it immediately.
  155. >Honest Bob’s- how… cliché.
  156. >You walk in, pay the due price, and throw the keys.
  157. >You’re better off walking anyway.
  158. >Going Green and whatnot.
  159. >Luna kept on pestering you after she saw Al Gore.
  160. >That motherfucker.
  161.  
  162. >You stop by to take home some fish and chips- fishes for you, and the rest for her.
  163. >It was a nice arrangement.
  164. >You hold the paper bag with one hand, as you hum your way home.
  165. >You’d hate to admit it, but meeting your little girl caused little to no effect on your side.
  166. >You killed a few men, another day in the office.
  167. >You wouldn’t say you’re proud, but you’re making money.
  168. >Speaking of which-
  169. >Looks like you handed in you early retirement.
  170. >You hurry your pace, as you return home.
  171.  
  172. >The apartment is less… Lively.
  173. >You don’t have those annoying children running around, like how they always do.
  174. >The air feels… colder.
  175. >You clutch onto your bag harder, as you travel up the stairs.
  176. >Your footsteps echo through the hallways.
  177. >Something is wrong.
  178. >Really, really wrong.
  179. >You keep your pace, as you near your apartment.
  180. >601, top floor.
  181. >You knock on the door.
  182. >No response.
  183. >You reach in for the welcome mat, and pull over the whole thing.
  184. >You see the silvery shine coming from one corner, and you pull out the second key.
  185. >You hastily insert the key, and turn it sideways.
  186. >You hear no click.
  187. >You then slowly push the door, and it opens without any resistance.
  188. >You are met with the same bland darkness.
  189. >You reach out and turn on the lights, to face the deserted living room.
  190. >The dining table is overturned, pictures are thrown everywhere- even the TV is on the floor.
  191. >You slowly walk in, and hear the broken glass crack under your feet.
  192. >You continue your walk, peering into your bedroom.
  193. >The window is smashed, and your bed is on the wall.
  194. >No sign of Luna anywhere.
  195. >You calmly place the paper bag on the counter, and look around the living room.
  196. >You notice a small note on your desk.
  197. >Of course, a note.
  198. >You hear the glass crack again behind you.
  199. >”Boss says hi, Anonymous.”
  200. >You can hear the gun click behind you.
  201. >”The girl put up quite a fight, you know.”
  202. >You feel for your wrist.
  203. >”She’ll be a spicy one for the boss.”
  204. >You turn slowly, hands up.
  205. >”There we go, nice and easy.”
  206. >You can see him now, only one man.
  207. >This ‘boss’ should have known better.
  208. >You shrug, and give him a smug smile.
  209. >”What’chu happy about?”
  210. >You flick your wrist, and bring up the tiny knife.
  211. >You quickly lunge forward and throw it, landing on the littered floor.
  212. >You slide slightly, cutting yourself as well.
  213. >The man falls silently, a knife right through his left eye.
  214. >You groan and slowly get to your feet.
  215. >You search the man, and start to strip him of all of his belongings.
  216. >You put on his clothes, and pocket the firearm.
  217. >No time to clean up.
  218. >You hurry away, not forgetting to grab your usual ‘equipment’.
  219.  
  220. >Yep, it just had to rain.
  221. >You look up, only to be showered upon.
  222. >You fix your hat, and start climbing.
  223. >Careful now, you don’t want any slipping.
  224. >You grab the metal railing, and hoist yourself up.
  225. >You dust off any debris, and continue your path behind the warehouse.
  226. >It was a simple path, a straight run to the door.
  227. >You hear footsteps over the door.
  228.  
  229. >Frankie kept his hands in his pocket, waiting for the rain to stop.
  230. >Fuck what the guys said, he was not going out in the rain.
  231. >And then he heard footsteps outside.
  232. >He groaned, and pulled out his pistol.
  233. >He slowly walked up to the door, fishing his pocket for the key.
  234. >Must be the kids again.
  235. >He sluggishly opened the door, to face an empty railing.
  236. >What could’ve-
  237. >A hand covered his mouth, while something penetrated his throat.
  238. >He dropped his gun, and began struggling.
  239. >But this guy was keeping up.
  240. >He then felt weaker and-
  241.  
  242. >You plop the body on the cold floor.
  243. >You collect his ammunition, and move on.
  244. >Just like those games.
  245. >You travel down the stairs, seeing the left over cigar and an open magazine.
  246. >You ignore it, and take a turn.
  247. >You’re facing another door.
  248. >You hold the knob, and twist it slowly.
  249. >The door creaks slightly.
  250. >You slip in, facing the large, empty room.
  251. >You know this place.
  252. >The grey, dusty floor, the solitary chair in the middle…
  253. >It was your workhouse.
  254. >You spot Luna on the chair, is a quite fashion similar to most of your victims.
  255. >You step into the light.
  256. >You hear a radio click on, playing some random song.
  257. >The radio personality says a few words, before the next song plays.
  258. http://www.youtube.com/watch?v=44YitKiVZ8E
  259. >A lively one, you supposed.
  260. >”Good to have you, doctor.”
  261. >A fat man steps into the light.
  262. >This must be the boss.
  263. >You take a step.
  264. >He laughs at you, holding Luna by her ma- hair.
  265. >She looks beaten.
  266. >She’s hanging her head low, she looks out cold.
  267. “Hello to you too, boss.” You come up and offer a hand.
  268. >And then you realize you’re surrounded.
  269. >”Such manners! I never saw it in you, Anonymous.” He happily takes your hand.
  270. >”Now, back to business.”
  271. >He loses his smile immediately.
  272. >”You took a girl from me- and you owe for it. So now-“
  273. >He points at Luna.
  274. >”You pay it back.”
  275. >You smile, looking around.
  276. >Five to left, three to right.
  277. >You pull out a knife.
  278. “Fine.” You twirl it.
  279. >He smiles, and let go of Luna.
  280. >You crouch in front of her.
  281. >You tap her cheek lightly, waking her.
  282. >She has some bruises on the side.
  283. “You didn’t use magic, didn’t you?”
  284. >”She smiles weakly.
  285. >”That would be cheating, Anonymous.”
  286. >You smile and lean in.
  287. >You feel her cold lips again.
  288. >The boss slaps the back of your head.
  289. >You pull away, and nod.
  290. >Luna nods as well.
  291. >You back away just a bit, and stare into the boss’ eyes.
  292. >He flinches just a bit.
  293. “You hit her.”
  294. >You flick the knife.
  295. “And me.”
  296. >The men raise their guns.
  297. >You feel for your chest, where that nub once was.
  298. >You close your eyes.
  299. >If you can only-
  300. >You can hear your heartbeat, slowly rising.
  301. >Someone shouts in the background, before the sound is drowned into muffled, low-pitched roars.
  302. >You open your eyes, and lunge at the fat man.
  303. >He was running already.
  304. >Too slow.
  305. >You grab his thick neck, and plunge the knife deep.
  306. >You then fall backwards, colliding with Luna’s blue shield.
  307. >You grab the body with you, as bullets start to pour out.
  308. >You shrink as the bullets hit the massive body- and Luna’s shield.
  309. >It goes on for a while, before you hear the clicks of the guns.
  310. >You kick the body over, and pull out your own gun.
  311. >You fire a shot at the one in the corner.
  312. >Your arms fly up higher than you expected.
  313. >You scramble to your feet, running forward.
  314. >Your next shot is better; it hits the guard on his chest.
  315. >You sidestep, and fire another shot.
  316. >Before the man could fall, you clutch him for dear life, as the bullets poured again.
  317. >You marched forward, and threw the body forwards.
  318. >The near-death guard lands on two guards, as you fire off two more shots to your right.
  319. >You aim at the fifth and the sixth guard, when you hear a click.
  320. >They smile, as they reload.
  321. >You turn the pistol to hold the barrel, and throw it with your knife.
  322. >Both connect, sending two down.
  323. >You pull out knifes from both of your sleeves, and do a turning slash.
  324. >The two guards behind you stagger as you turn, clutching their throats.
  325. >Their blood follows your movements, creating a circle on the ground.
  326. >You hear the last guard stand, and run up to you.
  327. >You raise the knife high, and plunge it to his chest.
  328. >He twitches, before going still.
  329. >You let go, dropping the dead guard.
  330. >You then turn to Luna, who is absolutely terrified.
  331. >You slowly walk up to her, and place a hand on her shield.
  332. >She lowers it.
  333. >You kneel in front of her, and start to unbind her from the chair.
  334. >As soon as it comes loose, she lunges at you.
  335. >She starts sobbing onto you again.
  336.  
  337. >This is almost routine now.
  338.  
  339. >You give a simple pat, and she pulls away.
  340. “So-”
  341. >Before you can go on, she goes in for another kiss.
  342. >You let her have her way, holding her closer.
  343. >”I thought you were going to die, Anon.”
  344. “Died like once already.”
  345. >She laughs softly, and hugs you.
  346. >You hug close, and spin- taking her off the ground.
  347. >Her body hangs up, following your momentum.
  348. >She laughs, as she slowly goes back to her feet.
  349. >You dance around, holding her hand and her waist.
  350. >In a middle of a bloodied room.
  351. >And people say you’re insane.
  352. “So, what do you want for dinner?”
  353. >You say, still dancing around.
  354. >She giggles, what was with her today?
  355. “You alright?”
  356. >”I’m fine.” She coos.
  357. >You’re starting to get scared.
  358.  
  359. >You grab the readied food, and make your way to your table.
  360. >Fish and chips again.
  361. >Luna won’t stop throwing smiles and winks at you for a while.
  362. “Alright, what’s up?”
  363. >You tap the table.
  364. >She just looks at you, with her unreadable smile.
  365. “Seriously, you’re scaring me.”
  366. >She leans to you, taking a chip.
  367. >She leans in, and gives you a peck on the cheek.
  368. >She then whispers the second set of words you thought you’ll never hear.
  369.  
  370. >”I’m pregnant.”