1 00:00:00,030 --> 00:00:08,689 so on a final note and this is why I 2 00:00:06,269 --> 00:00:13,829 think it's beneficial to use this with 3 00:00:08,689 --> 00:00:15,779 you know sketches and stuff if I go to 4 00:00:13,830 --> 00:00:18,149 let me shade hid around this color here 5 00:00:15,779 --> 00:00:23,039 and I start coloring you'll actually 6 00:00:18,149 --> 00:00:25,169 notice that even with the blue and even 7 00:00:23,039 --> 00:00:30,720 with the kind of weird grayish 8 00:00:25,170 --> 00:00:38,280 background it gives me a really 9 00:00:30,719 --> 00:00:41,100 appealing color I get the the yellowish 10 00:00:38,280 --> 00:00:42,870 with an orangish value here and if I 11 00:00:41,100 --> 00:00:47,879 shift this around a bit you can shift 12 00:00:42,869 --> 00:00:50,308 around or lighten it or darken it you 13 00:00:47,878 --> 00:00:53,369 know to show you an example the 14 00:00:50,308 --> 00:00:55,500 difference is what you'll get if you use 15 00:00:53,369 --> 00:00:58,369 other methods so I'm just going to cut 16 00:00:55,500 --> 00:00:58,369 this up into pieces 17 00:00:59,659 --> 00:01:04,018 okay 18 00:01:01,009 --> 00:01:08,728 here it is on multiply here it is 19 00:01:04,019 --> 00:01:12,118 unscrew Oh multiply here is overlay and 20 00:01:08,728 --> 00:01:15,039 here it is on screen nope same one I got 21 00:01:12,118 --> 00:01:18,259 multiply the screen 22 00:01:15,039 --> 00:01:24,530 you know and even if I grab these three 23 00:01:18,259 --> 00:01:26,450 and try to pump up their saturation now 24 00:01:24,530 --> 00:01:29,149 overlay is gonna be the closest you get 25 00:01:26,450 --> 00:01:31,700 but even with overlay okay 26 00:01:29,149 --> 00:01:35,868 here's what happens with overlay you get 27 00:01:31,700 --> 00:01:37,429 this value here this color and then the 28 00:01:35,868 --> 00:01:39,679 accompany color is just as kind of 29 00:01:37,429 --> 00:01:43,129 really honestly milquetoast just a 30 00:01:39,679 --> 00:01:46,039 really not adventurous slightly Pinker 31 00:01:43,129 --> 00:01:47,390 color which it's not bad but you're not 32 00:01:46,039 --> 00:01:49,250 gonna be able to do much if the 33 00:01:47,390 --> 00:01:51,200 especially if you're sketching on white 34 00:01:49,250 --> 00:01:53,959 I'll show you that in a second you know 35 00:01:51,200 --> 00:01:55,670 a screen is just really pale and then of 36 00:01:53,959 --> 00:01:58,700 course multiplies just too dark and 37 00:01:55,670 --> 00:02:04,429 allows a lot of the original blue to 38 00:01:58,700 --> 00:02:06,349 show through if you actually create 39 00:02:04,429 --> 00:02:09,289 change the multiply here you can see I'm 40 00:02:06,349 --> 00:02:11,719 talking about you know if I do that this 41 00:02:09,288 --> 00:02:16,219 is the multiply all that blue still 42 00:02:11,719 --> 00:02:17,689 pokes out and here's the craziest thing 43 00:02:16,219 --> 00:02:24,680 of course if you go here and if I 44 00:02:17,689 --> 00:02:27,409 increase the background to white okay if 45 00:02:24,680 --> 00:02:30,200 you're sketching and you're on white 46 00:02:27,409 --> 00:02:33,409 well overlays right up won't be able to 47 00:02:30,199 --> 00:02:35,298 do anything except the outlines screen 48 00:02:33,409 --> 00:02:40,489 is even crazier it'll just make it even 49 00:02:35,299 --> 00:02:42,170 more more white multiply as half-decent 50 00:02:40,489 --> 00:02:43,819 but the Blues show up too much now 51 00:02:42,169 --> 00:02:46,339 here's the problem of course looming 52 00:02:43,818 --> 00:02:48,229 shade looming shade will do what it 53 00:02:46,340 --> 00:02:50,500 wants to what you want it to do but it 54 00:02:48,229 --> 00:02:56,560 just needs more finessing so you need to 55 00:02:50,500 --> 00:02:56,560 just be really sensitive to its knees 56 00:02:59,629 --> 00:03:06,840 you know and you'll get much better 57 00:03:03,780 --> 00:03:10,080 results so here we have what almost 58 00:03:06,840 --> 00:03:15,569 looked exactly the multiply but instead 59 00:03:10,080 --> 00:03:18,540 of going from you know pink to blue but 60 00:03:15,569 --> 00:03:21,090 you know you might want which is fine 61 00:03:18,539 --> 00:03:24,090 but in this case I want just cool quick 62 00:03:21,090 --> 00:03:28,200 nice results this is the values we get 63 00:03:24,090 --> 00:03:33,180 we get when we get that we get this 64 00:03:28,199 --> 00:03:35,069 color this color and this color which is 65 00:03:33,180 --> 00:03:36,780 a much better starting point in my 66 00:03:35,069 --> 00:03:39,479 opinion than these colors unless you're 67 00:03:36,780 --> 00:03:40,979 looking for that kind of look or you're 68 00:03:39,479 --> 00:03:43,549 trying to ensure that the blue remains 69 00:03:40,979 --> 00:03:46,259 in your image which might be your goal 70 00:03:43,550 --> 00:03:47,310 but in the case of hey I have a sketch I 71 00:03:46,259 --> 00:03:51,560 want to get it done and I want to be 72 00:03:47,310 --> 00:03:51,560 look nice this is your best bet so 73 00:03:53,060 --> 00:03:57,659 that's a kind of roundabout way of 74 00:03:56,009 --> 00:04:00,209 explaining some of the looming shade 75 00:03:57,659 --> 00:04:02,549 thoughts and why did that tutorial on 76 00:04:00,209 --> 00:04:05,759 why it seems confusing because it is a 77 00:04:02,549 --> 00:04:09,599 little tricky your range is smaller up 78 00:04:05,759 --> 00:04:12,539 like functional colors you know although 79 00:04:09,599 --> 00:04:14,569 I do love doing a glow and Lumi shade 80 00:04:12,539 --> 00:04:18,238 especially when on this range here I 81 00:04:14,569 --> 00:04:20,959 think it's around this and you can do 82 00:04:18,238 --> 00:04:23,279 some pretty crazy coloring stuff that 83 00:04:20,959 --> 00:04:26,209 overlay just can't do you could just 84 00:04:23,279 --> 00:04:30,329 blow out valley it's to look at just 85 00:04:26,209 --> 00:04:32,489 kill-kill what's underneath which is 86 00:04:30,329 --> 00:04:34,319 kind of you know not always ideal but 87 00:04:32,490 --> 00:04:39,418 it's really good for effect if you want 88 00:04:34,319 --> 00:04:42,329 to do you know cool by glowing effects 89 00:04:39,418 --> 00:04:45,439 I'd use luma shade because it just does 90 00:04:42,329 --> 00:04:45,439 the best versions of this 91 00:05:01,149 --> 00:05:08,959 so that's sort of deal so you can do 92 00:05:05,389 --> 00:05:13,879 cool you know blown out stylistic stuff 93 00:05:08,959 --> 00:05:17,349 with it thanks cetera it has a it's 94 00:05:13,879 --> 00:05:21,620 really strong and that's both its 95 00:05:17,350 --> 00:05:23,660 failure and its benefit is that it it 96 00:05:21,620 --> 00:05:26,389 just overpowers what's underneath and 97 00:05:23,660 --> 00:05:27,860 allows you a lot more control what I 98 00:05:26,389 --> 00:05:29,120 didn't mention edition is you know you 99 00:05:27,860 --> 00:05:31,160 always have the option to kind of 100 00:05:29,120 --> 00:05:32,899 decrease the opacity and you know less 101 00:05:31,160 --> 00:05:35,600 than the effect so for instance if you 102 00:05:32,899 --> 00:05:37,159 want more blue to show and you want the 103 00:05:35,600 --> 00:05:38,960 effect to be less strong and you feel 104 00:05:37,160 --> 00:05:41,210 free to just drop the opacity a bit now 105 00:05:38,959 --> 00:05:44,779 you have yourself like a middle ground 106 00:05:41,209 --> 00:05:47,359 between the multiply version India you 107 00:05:44,779 --> 00:05:52,629 know so you still have that power to be 108 00:05:47,360 --> 00:05:56,590 less how to have it less obnoxious and 109 00:05:52,629 --> 00:05:56,589 that's about it thanks guys