1 00:00:00,030 --> 00:00:08,638 oh all right so a bunch of false starts 2 00:00:05,519 --> 00:00:10,649 later let's just talk about this usually 3 00:00:08,638 --> 00:00:12,388 what happens is I try to do a cue video 4 00:00:10,650 --> 00:00:16,170 video a week but it's been a few weeks 5 00:00:12,388 --> 00:00:18,660 and I haven't made a video what happens 6 00:00:16,170 --> 00:00:20,429 is usually someone suggests of the 7 00:00:18,660 --> 00:00:21,809 suggestions or stuff I just don't feel 8 00:00:20,429 --> 00:00:24,059 comfortable about I don't know how to 9 00:00:21,809 --> 00:00:26,189 tackle but I figured I just kind of 10 00:00:24,059 --> 00:00:29,608 burst do that and do the best I can to 11 00:00:26,189 --> 00:00:31,109 explain something as I would approach it 12 00:00:29,609 --> 00:00:33,030 without really having a good 13 00:00:31,109 --> 00:00:34,590 understanding of how to teach it so just 14 00:00:33,030 --> 00:00:37,620 so it gives you an idea of what I'm 15 00:00:34,590 --> 00:00:42,359 doing so apologize ahead of time this is 16 00:00:37,619 --> 00:00:48,058 a day unfocused little thing about 17 00:00:42,359 --> 00:00:51,119 drawing what I'm going to show you is so 18 00:00:48,058 --> 00:00:54,209 the question was posed about bending 19 00:00:51,119 --> 00:00:57,089 flesh around the legs and knees when 20 00:00:54,210 --> 00:00:59,489 they bend and this is one of those 21 00:00:57,090 --> 00:01:05,760 things then I wish I could explain this 22 00:00:59,488 --> 00:01:07,530 better in a way that's you got you got 23 00:01:05,760 --> 00:01:10,909 yourself your bone so let's say you got 24 00:01:07,530 --> 00:01:15,118 you got yourself some bones here right 25 00:01:10,909 --> 00:01:17,520 those bones there's gonna be you know 26 00:01:15,118 --> 00:01:18,959 all this maybe you should use a 27 00:01:17,519 --> 00:01:20,819 different brush this is a why I like 28 00:01:18,959 --> 00:01:28,349 using lately but it's a little weird to 29 00:01:20,819 --> 00:01:30,349 let it you know you got yourself some 30 00:01:28,349 --> 00:01:31,879 bones 31 00:01:30,349 --> 00:01:33,019 you know we need a different brush cause 32 00:01:31,879 --> 00:01:36,228 you guys are because you're not gonna 33 00:01:33,019 --> 00:01:42,019 have any idea what the hell I'm doing so 34 00:01:36,228 --> 00:01:44,530 you got it itself although let's say 35 00:01:42,019 --> 00:01:47,179 this is for the knees and the side 36 00:01:44,530 --> 00:01:52,728 should be using repetition on but not 37 00:01:47,180 --> 00:01:55,340 whatever and you know you guys usually 38 00:01:52,728 --> 00:01:58,849 this is what you see here it was better 39 00:01:55,340 --> 00:02:02,329 before and then there's a lot of things 40 00:01:58,849 --> 00:02:04,069 to consider with this sort of deal you 41 00:02:02,329 --> 00:02:05,840 know usually what people are talking 42 00:02:04,069 --> 00:02:08,899 about when they talk about like flesh 43 00:02:05,840 --> 00:02:14,780 bending is there's mostly it comes down 44 00:02:08,899 --> 00:02:17,930 to this this thing you you know to 45 00:02:14,780 --> 00:02:21,400 kneecap there's where the flesh Bend and 46 00:02:17,930 --> 00:02:21,400 then there's like the foot 47 00:02:21,469 --> 00:02:27,919 anyone who's kneeling down you'll see 48 00:02:24,620 --> 00:02:30,700 this kind of shape and it's kind of hard 49 00:02:27,919 --> 00:02:33,439 to visualize and know what to do because 50 00:02:30,699 --> 00:02:35,839 most the time when you're bending 51 00:02:33,439 --> 00:02:41,930 something it's just like on our 52 00:02:35,840 --> 00:02:45,439 efficient arm it's a lot easier you know 53 00:02:41,930 --> 00:02:47,379 with an arm you know here's another 54 00:02:45,439 --> 00:02:51,400 Lestrange 55 00:02:47,379 --> 00:02:54,169 here's our lesson 56 00:02:51,400 --> 00:03:01,158 we've got really nothing to worry about 57 00:02:54,169 --> 00:03:07,369 here in this context come on there's 58 00:03:01,158 --> 00:03:09,169 just little doubt to be had but you know 59 00:03:07,370 --> 00:03:11,980 it's not really that simple and really 60 00:03:09,169 --> 00:03:14,780 if you look deeper into these structures 61 00:03:11,979 --> 00:03:16,669 you'll discover that there's more 62 00:03:14,780 --> 00:03:18,609 complexity to it than just you know 63 00:03:16,669 --> 00:03:21,578 things that maybe we're not been named 64 00:03:18,609 --> 00:03:24,409 there's getting the elbow comes up here 65 00:03:21,579 --> 00:03:30,889 there's a little that Wells up the edge 66 00:03:24,408 --> 00:03:34,969 here is this thing there's all sorts of 67 00:03:30,889 --> 00:03:37,669 do that and doohickeys going on but 68 00:03:34,969 --> 00:03:41,449 really when it comes down to people will 69 00:03:37,669 --> 00:03:46,069 tend to have a problem with extreme 70 00:03:41,449 --> 00:03:50,539 bending of shape and how much it can 71 00:03:46,068 --> 00:03:55,789 deform something and to make it feel 72 00:03:50,539 --> 00:04:00,439 natural it's really not it's not 73 00:03:55,789 --> 00:04:05,358 something most people have a an attack 74 00:04:00,439 --> 00:04:06,739 innate innate sense of this is kind of 75 00:04:05,359 --> 00:04:08,090 where a lot of referencing comes in 76 00:04:06,739 --> 00:04:10,549 because I mean I'm just driving this 77 00:04:08,090 --> 00:04:12,199 from mind and I know this is a lot of 78 00:04:10,549 --> 00:04:14,109 this is kind of wrong already I'm kind 79 00:04:12,199 --> 00:04:19,310 of going off of what I studied before 80 00:04:14,109 --> 00:04:22,310 and I know a lot of this is wrong but I 81 00:04:19,310 --> 00:04:27,168 know that I know a few things law and 82 00:04:22,310 --> 00:04:29,860 drawing that's licensed and these are 83 00:04:27,168 --> 00:04:29,859 supposed to be a lot 84 00:04:30,129 --> 00:04:34,219 what I like to do I kind of like to 85 00:04:32,720 --> 00:04:39,020 approach this without the reference 86 00:04:34,220 --> 00:04:44,180 first to see wearing week and and then I 87 00:04:39,019 --> 00:04:48,079 can find of a similar effort and they 88 00:04:44,180 --> 00:04:54,019 work from there and as I've discussed in 89 00:04:48,079 --> 00:04:55,759 a lot of other videos is just a lot of 90 00:04:54,019 --> 00:05:00,169 the time you can stick the problem 91 00:04:55,759 --> 00:05:02,599 digest for going silhouettes I just you 92 00:05:00,170 --> 00:05:09,460 start building those shapes and you get 93 00:05:02,600 --> 00:05:14,450 like land might learn my details down 94 00:05:09,459 --> 00:05:18,430 like your robot structures and once the 95 00:05:14,449 --> 00:05:18,430 robot structures kind of come into place 96 00:05:18,759 --> 00:05:25,250 they they kind of undo so much some of 97 00:05:23,089 --> 00:05:26,959 the beans of my existence is if I'm 98 00:05:25,250 --> 00:05:32,540 doing and trying to stop to be entirely 99 00:05:26,959 --> 00:05:36,409 with it crap back in a little once I got 100 00:05:32,540 --> 00:05:37,850 these structures down you have a better 101 00:05:36,410 --> 00:05:42,910 chance of seeing where things are 102 00:05:37,850 --> 00:05:42,910 overlapping and 103 00:05:44,089 --> 00:05:48,918 and and this is like I said I don't know 104 00:05:47,750 --> 00:05:51,050 if I'm gonna be able to help anyone 105 00:05:48,918 --> 00:05:55,509 wrists it I'm just going to kind of draw 106 00:05:51,050 --> 00:05:58,668 and talk about what I'm thinking and so 107 00:05:55,509 --> 00:06:01,339 what that means is that you're going to 108 00:05:58,668 --> 00:06:06,109 have to just take what helps you and 109 00:06:01,339 --> 00:06:08,899 ignore the rest unfortunately not a 110 00:06:06,110 --> 00:06:11,900 stellar artist well I don't have all the 111 00:06:08,899 --> 00:06:14,089 answers but hopefully because of an 112 00:06:11,899 --> 00:06:17,810 intermediate level it can help people 113 00:06:14,089 --> 00:06:20,839 who are a little more beginner get some 114 00:06:17,810 --> 00:06:23,269 grounding okay I'm just going to 115 00:06:20,839 --> 00:06:26,839 simplify on the Unitec app because it 116 00:06:23,269 --> 00:06:28,819 really kind of here's one and often what 117 00:06:26,839 --> 00:06:31,339 happens with their like for instance 118 00:06:28,819 --> 00:06:33,379 this area so I'm going to just draw this 119 00:06:31,339 --> 00:06:38,989 a little and I was just going to find 120 00:06:33,379 --> 00:06:44,889 the reference now and then kind of just 121 00:06:38,990 --> 00:06:44,889 do it do a cross-reference 122 00:06:49,309 --> 00:06:53,319 and get an idea of what's going on here 123 00:06:55,869 --> 00:07:01,189 so in most cases from what I can see I 124 00:06:59,749 --> 00:07:04,099 can really show most of those cousins 125 00:07:01,189 --> 00:07:07,059 all these new references but let me find 126 00:07:04,098 --> 00:07:07,058 something I can post 127 00:07:11,769 --> 00:07:15,538 let's connect around this 128 00:07:18,490 --> 00:07:23,290 there's really a strong overlapping 129 00:07:20,529 --> 00:07:25,719 sense with the knees they get overdone 130 00:07:23,290 --> 00:07:27,189 all the shape remember I talked about 131 00:07:25,720 --> 00:07:33,280 this before and I'm not doing as much 132 00:07:27,189 --> 00:07:36,850 blood don't erase don't erase that you 133 00:07:33,279 --> 00:07:41,279 do waste time when you race so let this 134 00:07:36,850 --> 00:07:41,280 I'm just going to paste this reference 135 00:07:42,329 --> 00:07:50,289 to give you an idea of the differences 136 00:07:46,779 --> 00:07:52,269 of what I did and how I get it wrong so 137 00:07:50,290 --> 00:07:53,710 let's just this is not even the right 138 00:07:52,269 --> 00:07:55,930 angle but I can just already kind of 139 00:07:53,709 --> 00:07:58,269 detect some problems one of the things 140 00:07:55,930 --> 00:08:03,519 you kind of have to really wrap your 141 00:07:58,269 --> 00:08:07,209 mind around is the fact that this lower 142 00:08:03,519 --> 00:08:09,219 leg part really gets small and you can 143 00:08:07,209 --> 00:08:14,859 even tell it here it kind of cuts in and 144 00:08:09,220 --> 00:08:18,310 almost separates the shapes so a lot of 145 00:08:14,860 --> 00:08:20,259 it has to do with I got the heel at the 146 00:08:18,310 --> 00:08:29,699 right spot the heels right up up and 147 00:08:20,259 --> 00:08:33,960 right before the supply pins so really 148 00:08:29,699 --> 00:08:33,960 you see the shapes here 149 00:08:35,028 --> 00:08:37,899 right there 150 00:08:49,519 --> 00:08:53,139 reduce the smoother and 151 00:08:56,370 --> 00:09:02,149 but here you can see upon revision 152 00:09:03,500 --> 00:09:08,269 so there's like a generic kneecap shape 153 00:09:06,379 --> 00:09:09,769 that you can draw get away with it 154 00:09:08,269 --> 00:09:15,409 looking like a new campus future like 155 00:09:09,769 --> 00:09:22,460 this that's kind of funny you can't have 156 00:09:15,409 --> 00:09:25,750 this we're kind of buckled angular like 157 00:09:22,460 --> 00:09:25,750 if you look at it from the front 158 00:09:26,970 --> 00:09:33,450 and you can usually join like some 159 00:09:30,720 --> 00:09:38,269 shape actually I'm not playing 160 00:09:33,450 --> 00:09:38,270 up and but sometimes you can pull it off 161 00:09:40,279 --> 00:09:44,259 and make it look like a Nikko 162 00:09:45,639 --> 00:09:55,059 and she's baited the fish she color in 163 00:09:49,839 --> 00:09:57,940 those areas or look like the knee knee 164 00:09:55,059 --> 00:09:59,649 cap shadows I don't even know what that 165 00:09:57,940 --> 00:10:01,720 is but I didn't know that from from 166 00:09:59,649 --> 00:10:07,958 studying them that it has that general 167 00:10:01,720 --> 00:10:09,910 kind of shape to it so here you can 168 00:10:07,958 --> 00:10:14,259 really see that from what I had before I 169 00:10:09,909 --> 00:10:16,240 had this giant mass and the lower muscle 170 00:10:14,259 --> 00:10:17,649 was too big but really if you look at 171 00:10:16,240 --> 00:10:21,089 this I know it's kind of being squished 172 00:10:17,649 --> 00:10:23,679 to you in this room but really 173 00:10:21,089 --> 00:10:26,050 oftentimes this stuff gets almost in 174 00:10:23,679 --> 00:10:30,909 fact if I want it want to go extra 175 00:10:26,049 --> 00:10:33,479 graduated to really solve this idea draw 176 00:10:30,909 --> 00:10:41,588 this shape and image on another shade 177 00:10:33,480 --> 00:10:45,120 and to really fly a lot shape home of 178 00:10:41,589 --> 00:10:45,120 course this is all sketch stuff so 179 00:10:48,960 --> 00:11:02,879 it could be all ignoring her paint on 180 00:10:53,549 --> 00:11:04,740 top of this as I said references are 181 00:11:02,879 --> 00:11:06,958 your best best friend that comes to this 182 00:11:04,740 --> 00:11:09,350 weird stuff because and I like it but 183 00:11:06,958 --> 00:11:09,349 today 184 00:11:10,230 --> 00:11:13,350 [Music] 185 00:11:15,220 --> 00:11:19,960 so you know it's like a first pass I 186 00:11:17,200 --> 00:11:21,520 mean little drawing is perfect but you 187 00:11:19,960 --> 00:11:24,610 want to be in a good spot 188 00:11:21,519 --> 00:11:26,889 allow me to do too much work and if you 189 00:11:24,610 --> 00:11:32,909 know you have another set of likes here 190 00:11:26,889 --> 00:11:32,909 I feel like over here 191 00:11:36,559 --> 00:11:46,919 it's almost that shape but it's really 192 00:11:45,240 --> 00:11:50,220 it's a real tough thing to talk about 193 00:11:46,919 --> 00:11:56,429 because even if you do get good 194 00:11:50,220 --> 00:12:00,080 reference that zone is just a tricky 195 00:11:56,429 --> 00:12:06,859 song here I got another reference and 196 00:12:00,080 --> 00:12:06,860 I'm going to have a quick to each other 197 00:12:22,649 --> 00:12:28,049 I know this isn't really a flashy should 198 00:12:26,220 --> 00:12:29,820 really just make a how to join narrative 199 00:12:28,049 --> 00:12:31,859 video movie people like those more but 200 00:12:29,820 --> 00:12:35,400 it's going to trace over to give you an 201 00:12:31,860 --> 00:12:37,409 idea of the shapes that are involved it 202 00:12:35,399 --> 00:12:41,189 was totally fine stuff for you to do if 203 00:12:37,409 --> 00:12:42,629 you're learning I got there there are 204 00:12:41,190 --> 00:12:44,070 things to learn when you're trying to 205 00:12:42,629 --> 00:12:45,389 reference it and other things to learn 206 00:12:44,070 --> 00:12:48,660 when you're trying to get proportions 207 00:12:45,389 --> 00:12:50,970 down in this scenario especially you'll 208 00:12:48,659 --> 00:12:53,279 find that tracing kind of exposes how 209 00:12:50,970 --> 00:12:56,360 wonky bodies can be versus our 210 00:12:53,279 --> 00:12:56,360 interpretations of them 211 00:13:01,990 --> 00:13:05,250 so if I hide this 212 00:13:23,960 --> 00:13:27,790 so let's try that it is 213 00:13:30,899 --> 00:13:36,869 um really get an idea of the shape 214 00:13:34,379 --> 00:13:40,709 involved a lot more and you can even do 215 00:13:36,869 --> 00:13:42,720 this like this shape here which is 216 00:13:40,708 --> 00:13:44,518 normally if you draw out like from the 217 00:13:42,720 --> 00:13:47,490 front this is that the quickest way I 218 00:13:44,519 --> 00:13:52,619 can get to a leg now just draw this this 219 00:13:47,490 --> 00:13:55,889 shape this shape I need up do it this 220 00:13:52,619 --> 00:14:01,528 will give you a proper leg about 90% of 221 00:13:55,889 --> 00:14:05,730 the time draw the circle bring in the 222 00:14:01,528 --> 00:14:10,799 guard or draw this draw the lines and 223 00:14:05,730 --> 00:14:13,278 then drugs this will really give you a 224 00:14:10,799 --> 00:14:13,278 good idea 225 00:14:16,369 --> 00:14:21,359 just draw the leg into geometry but 226 00:14:19,438 --> 00:14:25,108 it'll give you an idea what's going on 227 00:14:21,359 --> 00:14:31,009 here and here you can see normally from 228 00:14:25,109 --> 00:14:31,009 the slide the leg is the got this shape 229 00:14:32,839 --> 00:14:40,589 and it's got a little more of a 230 00:14:37,350 --> 00:14:43,798 protrusion together more me to it but 231 00:14:40,589 --> 00:14:48,329 because of this because of this pressure 232 00:14:43,798 --> 00:14:49,798 here really kind of about bows out and 233 00:14:48,328 --> 00:14:53,008 then you just kind of become this big 234 00:14:49,798 --> 00:14:56,999 shape so you got to kind of just keep in 235 00:14:53,009 --> 00:15:00,178 mind it like these shapes are the same 236 00:14:56,999 --> 00:15:01,409 shape they're just being stressed same 237 00:15:00,178 --> 00:15:03,269 thing for here there's almost always 238 00:15:01,409 --> 00:15:05,818 going to be a bit of indentation and 239 00:15:03,269 --> 00:15:11,269 shape here because of all this pressure 240 00:15:05,818 --> 00:15:13,528 moving upwards against this flush bit 241 00:15:11,269 --> 00:15:15,269 and then there's usually going to be a 242 00:15:13,528 --> 00:15:18,448 little bit of indentation on the butt 243 00:15:15,269 --> 00:15:20,129 here because of the because of the 244 00:15:18,448 --> 00:15:22,368 pressure from that but I'll be very 245 00:15:20,129 --> 00:15:22,369 subtle 246 00:15:26,169 --> 00:15:29,500 so hopefully that helped a little bit 247 00:15:27,909 --> 00:15:34,059 what you should be doing I mean like I 248 00:15:29,500 --> 00:15:37,059 said it depends on your approach but 249 00:15:34,059 --> 00:15:39,669 really it's about because you've got 250 00:15:37,059 --> 00:15:40,838 this bone here and the bone not moving 251 00:15:39,669 --> 00:15:44,169 it's kind of interesting because the 252 00:15:40,839 --> 00:15:49,300 bones I got this shape to it got this 253 00:15:44,169 --> 00:15:54,309 like that shape to it I think it doesn't 254 00:15:49,299 --> 00:15:59,169 pretty sure it is it's got another foam 255 00:15:54,309 --> 00:16:01,919 you definitely to you we've got this 256 00:15:59,169 --> 00:16:01,919 but they have 257 00:16:02,169 --> 00:16:08,870 okay regardless of that stuff what you 258 00:16:06,980 --> 00:16:11,450 have is you have a bone that's very 259 00:16:08,870 --> 00:16:13,399 solid and then it wants to go a certain 260 00:16:11,450 --> 00:16:17,060 way and then you got to flush all around 261 00:16:13,399 --> 00:16:21,199 it and that flush has to go somewhere so 262 00:16:17,059 --> 00:16:23,119 if it can't it can't go they can't move 263 00:16:21,200 --> 00:16:29,690 off the bone obviously it's attachment 264 00:16:23,120 --> 00:16:31,700 on and this leg is in the way so 265 00:16:29,690 --> 00:16:33,250 obviously has to go hit last place it 266 00:16:31,700 --> 00:16:35,810 can go this way 267 00:16:33,250 --> 00:16:37,490 that's actually really making it let's a 268 00:16:35,809 --> 00:16:39,889 lot thinner than it really normally is 269 00:16:37,490 --> 00:16:42,710 because I bone is still there but it's 270 00:16:39,889 --> 00:16:44,840 just deeper into the flesh that muscle 271 00:16:42,710 --> 00:16:47,750 just gets mashed and makes it look 272 00:16:44,840 --> 00:16:49,250 really thin that's one thing I've always 273 00:16:47,750 --> 00:16:51,470 really noticed when people meal is how 274 00:16:49,250 --> 00:16:54,909 there's two things I've always kind of 275 00:16:51,470 --> 00:16:58,730 forget and then after we we remember is 276 00:16:54,909 --> 00:17:02,329 how flat feet are often for a long time 277 00:16:58,730 --> 00:17:05,809 I do feel like this but really most 278 00:17:02,330 --> 00:17:07,490 people speed are really flat I mean this 279 00:17:05,809 --> 00:17:10,789 is a little exaggeration but they're a 280 00:17:07,490 --> 00:17:13,430 lot flatter than you think they're they 281 00:17:10,789 --> 00:17:16,459 they're just really short they don't go 282 00:17:13,430 --> 00:17:18,730 up call it don't look experiment 283 00:17:16,459 --> 00:17:22,039 speed speed you look they don't look 284 00:17:18,730 --> 00:17:25,309 that strong triangle as much as you 285 00:17:22,039 --> 00:17:29,029 think they are so you got to just be 286 00:17:25,309 --> 00:17:30,819 sure you keep that nice and study that 287 00:17:29,029 --> 00:17:33,139 and you notice notice those differences 288 00:17:30,819 --> 00:17:34,279 but with this this is something I've 289 00:17:33,140 --> 00:17:40,150 always noticed when I've done to make 290 00:17:34,279 --> 00:17:40,149 references that this section of the leg 291 00:17:40,819 --> 00:17:46,009 so this section here we did another 292 00:17:48,319 --> 00:17:54,210 more allegedly this section just 293 00:17:51,119 --> 00:17:56,609 squishes in so much and makes the leg 294 00:17:54,210 --> 00:17:59,940 itself look really really small like a 295 00:17:56,609 --> 00:18:01,679 stick and if you study enough reference 296 00:17:59,940 --> 00:18:04,769 material you'll see how that is I mean 297 00:18:01,680 --> 00:18:06,840 here you know it's a little exaggerated 298 00:18:04,769 --> 00:18:09,059 but look at the difference between this 299 00:18:06,839 --> 00:18:11,549 upper like and this lower like it's just 300 00:18:09,059 --> 00:18:14,909 like this thing 2/3 of the shape of the 301 00:18:11,549 --> 00:18:17,369 size that's a pretty common occurrence 302 00:18:14,910 --> 00:18:19,560 if we look at our reference here that's 303 00:18:17,369 --> 00:18:23,909 and then you got third and if we look at 304 00:18:19,559 --> 00:18:26,970 our other reference that you've got 305 00:18:23,910 --> 00:18:29,610 yourself this and this is a third of a 306 00:18:26,970 --> 00:18:31,350 shape a little bit of a kind of relative 307 00:18:29,609 --> 00:18:32,729 shapes you have to keep in mind so when 308 00:18:31,349 --> 00:18:37,369 you're drawing this and you see like 309 00:18:32,730 --> 00:18:42,480 it's it's not a sword or it's like maybe 310 00:18:37,369 --> 00:18:44,069 maybe it's half half the shape of the 311 00:18:42,480 --> 00:18:46,190 other thing you know you've got it wrong 312 00:18:44,069 --> 00:18:48,509 so that's usually not how it rolls out 313 00:18:46,190 --> 00:18:52,350 all most of them got really Meagan 314 00:18:48,509 --> 00:18:54,089 Meagan ease sorry mega lower legs or 315 00:18:52,349 --> 00:18:57,149 whatever the dealer's have the odd 316 00:18:54,089 --> 00:19:01,230 proportions but normally speaking this 317 00:18:57,150 --> 00:19:03,420 this distance is pretty strong you know 318 00:19:01,230 --> 00:19:10,410 if I just just to show you them online 319 00:19:03,420 --> 00:19:14,190 you just go just you know one and 320 00:19:10,410 --> 00:19:16,700 one was just wrong the other Chavez 321 00:19:14,190 --> 00:19:16,700 playful 322 00:19:18,440 --> 00:19:21,100 boom 323 00:19:21,640 --> 00:19:29,890 it's really really is three there's you 324 00:19:25,720 --> 00:19:32,319 know so keep keep that in mind keep keep 325 00:19:29,890 --> 00:19:36,130 the idea in mind that when these 326 00:19:32,319 --> 00:19:37,569 situations occur muscle and flesh has to 327 00:19:36,130 --> 00:19:39,450 go somewhere and will go wherever 328 00:19:37,569 --> 00:19:42,579 there's the least resistance which is 329 00:19:39,450 --> 00:19:45,660 not a way from whatever it's compressing 330 00:19:42,579 --> 00:19:48,759 it and with a situation like this 331 00:19:45,660 --> 00:19:55,029 there's so much pressure the bonus of 332 00:19:48,759 --> 00:19:57,329 deep deep inside that they can they 333 00:19:55,029 --> 00:20:00,039 can't go any further in this direction 334 00:19:57,329 --> 00:20:03,039 unless it would literally rip itself off 335 00:20:00,039 --> 00:20:06,579 with a bone so it has only one last 336 00:20:03,039 --> 00:20:07,779 place to go which is this way you know I 337 00:20:06,579 --> 00:20:11,409 mean there are some downward pressure 338 00:20:07,779 --> 00:20:12,849 but yeah but hopefully that helps 339 00:20:11,410 --> 00:20:17,890 something you have this sort of question 340 00:20:12,849 --> 00:20:20,259 and solve solves the puzzle I mean it 341 00:20:17,890 --> 00:20:21,640 really hit quick how-to and I'm not 342 00:20:20,259 --> 00:20:23,859 really solving the problem for anyone 343 00:20:21,640 --> 00:20:25,810 but I'm just kind of giving you my own 344 00:20:23,859 --> 00:20:28,689 personal mindset of how I go about 345 00:20:25,809 --> 00:20:31,419 solving this problem in a drop first see 346 00:20:28,690 --> 00:20:34,690 how you get there find the reference 347 00:20:31,420 --> 00:20:38,560 review your reference bill like okay so 348 00:20:34,690 --> 00:20:41,559 this is how I'm wrong I should do this 349 00:20:38,559 --> 00:20:43,599 instead of this and then and kind of 350 00:20:41,559 --> 00:20:45,009 internalize that make no notice thing 351 00:20:43,599 --> 00:20:48,250 you don't have to draw these lines if 352 00:20:45,009 --> 00:20:50,769 you don't want to but you know just keep 353 00:20:48,250 --> 00:20:52,240 an eye on what you're doing and try to 354 00:20:50,769 --> 00:20:53,680 see your relationships because these 355 00:20:52,240 --> 00:20:56,380 relationships are the sort of thing that 356 00:20:53,680 --> 00:20:58,900 will get you out of trouble 357 00:20:56,380 --> 00:21:00,700 you will need quick reliable results and 358 00:20:58,900 --> 00:21:01,930 if you know you know you're in getting 359 00:21:00,700 --> 00:21:03,730 your mind okay this is usually very 360 00:21:01,930 --> 00:21:06,430 small and it's going to be about a third 361 00:21:03,730 --> 00:21:07,990 then you can usually eyeball that and 362 00:21:06,430 --> 00:21:10,480 those relationships will get you out of 363 00:21:07,990 --> 00:21:12,339 the out of the Hearts box you need right 364 00:21:10,480 --> 00:21:14,410 away so that you can get a good idea but 365 00:21:12,339 --> 00:21:15,879 what your relationships are without 366 00:21:14,410 --> 00:21:18,340 having to constantly look at reference 367 00:21:15,880 --> 00:21:21,760 material alright thanks guys hopefully 368 00:21:18,339 --> 00:21:23,619 this helps some of you and I'm going to 369 00:21:21,759 --> 00:21:26,289 really make an effort to make some more 370 00:21:23,619 --> 00:21:29,319 of these try to just vocalize what I'm 371 00:21:26,289 --> 00:21:30,869 thinking and become a little more 372 00:21:29,319 --> 00:21:33,029 natural speaking and just 373 00:21:30,869 --> 00:21:35,479 don't forget this going so see you next 374 00:21:33,029 --> 00:21:35,480 time take care