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hello everybody so last week I asked my
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patreon supporters what tutorials they
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wanted to help them with whatever so
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what I got here is I picked the this one
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here by pnq um I took his first
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suggestion which was a tutorial on thick
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chubby girls not fat don't know what
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that means
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who can just going to go with what I
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think it means size belly and butt so
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I'm not gonna go too specific here
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obviously he did say head and arm so I'm
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not going to focus on those parts but
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let's just go through my process so that
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you guys have an idea what I'm doing and
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then I'll get to the drawing and then
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I'll explain some little tips and
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details so first thing I do and I've
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covered this before is um you you're
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going to well I'm going to drop some
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really vague shapes that look like your
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forgot glasses so I start with these
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really really blurred shapes and I you
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use these blurred shapes to kind of
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establish size relations and form as
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vaguely as possible with the least
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amount of effort thus allowing my mind
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to flush the rest in very quickly and
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not really stress and worry too much at
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this stage the stage is about just
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getting the right shapes and if I can't
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I feel that if I can't do this I'm not
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going to have a good time so I gotta
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really focus on getting this to be a
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feel as natural as possible next step of
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course is to just kind of let me take
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off some of these guides is to draw on
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top of it and this is what I got out of
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those shapes so I'm going to just kind
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of talk quickly and go through just what
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mentally I did to kind of get to these
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shapes so first off let me just I think
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this is the one this is the one I want
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first few things to mention is
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so with the blue lines here what these
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really symbolize are the the concept of
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these kind of obviously there's always
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going to be a pretty strong pear shape
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and so with that I mean you don't really
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need me to tell you that it's pretty
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much every single time you're going to
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hear about how to draw these shapes
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they're gonna be up here Shakespeare
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shapes but this is less about pear
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shapes and more about the concept of the
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of the how all the the details get
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mashed together and the valleys get
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removed so normally when you have a
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character or girl whatever and she has
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like you know the stomach area and the
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leg you know you'll have like more
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pronounced you'll have more pronounced
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shapes this is not a very good job but
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you know whatever
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okay and you see like stronger indents
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happened stronger shapes and then what
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I'm trying to actually show off here is
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this stuff so you'll see like this like
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if you draw between tooth the manger
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features there's all this space between
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the hip and the thing there's all this
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kind of like extra space if I were to
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break it down more simply when you're
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drawing a larger characters normally the
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profile of lines kind of looks like this
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this is not really representing anybody
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or anything like that you'll have like
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these valleys these noticeable valleys
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when you're drawing larger characters a
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lot of the time all that information is
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being actually let me get the original
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if you go like this all that all the
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details get kind of meshed together and
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your valleys are just a lot less strong
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so that's one thing you kind of have to
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really focus on so here you'll see like
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I have very small spots you can see
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these strong lines and then very very
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little negative space inside that
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meaning like between these lines these
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very strong simple lines there's very
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very little wiggle room for detail and
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what that helps do is give the
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impression of like the body being really
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tight and full and also really matching
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that pear shape so that's the first
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thing that kind of keep in mind is just
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if you do draw these pear shapes make
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sure you don't go in and out of that
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those valleys too much you kind of have
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to be very subtle about your shapes so
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consider consider the fact that you'll
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be you won't be going in and out as much
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as you would normally with a more
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slender character this green stuff is
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just about making sure you don't make
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next too long the because of the weight
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the neck and then the way around the
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neck the DS end up being pretty pretty
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stout so don't go too crazy don't go too
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long it'll look a little weird although
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I mean people do look have really smooth
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slender necks on very large bodies it's
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not unheard of but we're not really most
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people are going to try to go for a
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strong visual concept not on the off the
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off the off shape
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that's not common you can do that go
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ahead but really it's going to be a hard
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sell let's you know what you're doing so
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moving on to the other shapes here
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actually let me take out these colors
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because I just want to talk about
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so generally when you look at these
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you'll see a lot of kind of transparent
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almost ghost elements this is just from
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my sketch mode obviously you know I can
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still ink or color and erase all that I
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really like to kind of get these lines
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in I like to kind of break down this so
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that I can really visually see it
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because if I can't see this shape here
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if I can't see that's I can't really
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tell that there's a depth to it and a
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lot about a lot about this is just kind
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of getting that depth to feel right so
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you just put those helps and guidelines
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when you need them you know so a lot of
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a lot of the help with a lot of the this
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stuff that helps me get these shapes
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right are these little little guide
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lines you can see everywhere and then
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when I go to inking I know what I'm
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doing I you know I can sense that
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there's a shadow that should be here
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there's a shadow that should be here I
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can sense where I'm inching I can really
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feel the volumes I can feel where they
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are supposed to be and how it's attached
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to it so you don't have to commit to
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these shapes they're just there to help
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you or you can just reinforce them it's
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up to you really
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so that's another thing that I like to
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do is I just kind of like to maybe over
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maybe not overdo it but add lines that
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don't really exist for real like these
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lines here that go down down the leg
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shape here these lines aren't real light
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lines they're they're something you'd
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see on on pants really so you know these
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shapes don't really exist but once you
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draw them in you kind of get the idea of
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if your shapes are right if your volumes
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are right if everything that needs to be
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there fits then finally let's talk about
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this last one so here's the more shape
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concepts that I kind of add in
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even though this doesn't really have a
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boob window in the clothing what I do is
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I tend to I like a little circle or oval
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to kind of help really give me an idea
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of what that planar shape looks like so
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that I know how much upward or leave it
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better color how much it's going up how
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much volume you know this is more like
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it's going like this way and these are
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just shapes that kind of help me in the
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cement that you don't really need to
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line these up but when you ink them that
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out really helps your color especially
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when you paint them it really helps to
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give you an idea what you should be
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doing so definitely this is a really
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important landmark because everything on
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a larger woman kind of hangs off from
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that not only in this case where the
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breasts are detached or being pushed up
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to really kind of accentuate the shape
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in this situation here they're kind of
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close together but I've still kind of
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drawn it to give an idea with that with
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that platform I don't want to say
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platform but that that surface looks
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like in what way what direction that's
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facing so that's a feature I like to
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focus on most also you like I mentioned
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before it may be a little bit of
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x-raying to kind of give you an idea
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where I should be putting these limbs
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don't don't don't avoid this too
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sometimes all your problems are because
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you're not doing this you're not
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allowing you to yourself to draw a
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simplified skeletal version and if
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you're not struggling to draw a
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simplified skeletal version you know
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you've got it most of it right of course
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you need to learn how to do that in the
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first so maybe that's a little more
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advanced thing to know about but if that
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fits for you then you know you're going
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well you're doing well
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here you can the orange spots you can
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see this is mostly about like I don't
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know what I'm drawing especially the
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breast area in this area I'm really
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trying to accentuate the overlap and
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what that means is I'm really trying to
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ensure that my shapes jet I'm really
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trying to exaggerate the space
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difference the spatial difference and
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one of the ways you do that is by
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creating a t-junction this is a really
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technical term but it's the one that
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comes to mind a t-junction is like
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something like this so here you can see
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there's a t-junction between the arm and
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we just draw on top of it
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t-junction you know it goes like this it
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doesn't go it doesn't blend in even
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though people tend to want to blend in
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I'm trying to really create a harsh T
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Junction that really helps tuck those
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values behind really really tucks 90
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almost nearly 90 degree really tuck
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those values behind those uh shapes
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behind each other so really so that that
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volume difference you know it's going in
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there and then this new shape is
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overlapping that shape it's not blending
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in in any kind of way so that's kind of
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what that's for the the lower one here
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is just mostly about suddenly trying to
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apply that without doing it too strong
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like trying to make sure that there's
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definitely a depth sense here so kind of
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same idea maybe a less strong idea like
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you know
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if I make it too smooth try to get a
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good strong Y shape in there and then
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yeah basically just don't forget to
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don't forget to draw the food but you
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know the foop is right here it'll always
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show up on a larger body do not here you
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can have here you have the overhang area
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then we have the Fupa and we have a
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pubic mound area the pubic fat I don't
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even think I see the pubic Mound same
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thing here so yeah that's that's about
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all I can give for now I can follow up
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with some more stuff you guys want to
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support me ask me again next week I'll
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do a follow-up a look at whoever is
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asking me whatever and hopefully I can
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answer some more questions on either
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this and whatever else people are
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looking to find out about All Right see
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you guys take care bye