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Hi. How are you today? How's the progress? Done much? Some? Okay. Let me see.

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Okay. I like these two very much. Great hatching here. This one doesn't show your

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best work. You see, trying too hard is never good. Overall, I'm almost happy. Especially

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since it has just been a couple of lessons. Now, for today. As you know, there is a point

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in any grown man's life when he should finally stop copying Loomis and move on to the real

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thing. I mean, what you did there before on your own with all those so-called reference

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photos. That was cute. But to really improve your technique, you should draw from life.

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After all, isn't that what you have always dreamed about? Aren't you into all this for

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the girls? I bet that ever since you saw a tiny copy of some famous painting in a magazine,

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art began meaning news to you. And it was like that for a long time. And whenever you

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heard someone say art, you'd blush. Indeed, such a dirty word. Art.

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So ta-da! The day is here. You'll be drawing a real model. It's probably not how you have

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been picturing it in your head. You thought you'd be on top, ordering the model about,

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gently, maybe even correcting her posture. You thought that she would be sitting for

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you for hours to study, exposed, as good as burnt, your eyes begging for a break, and

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you would pretend so focused on your art, brown-knit, biting your lip, pretending that

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it's all about perfection, and she is nothing more to you than light and shade, dotting

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a glance between her and your painting. It would naturally be a painting. Painting is

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nice, legit, respectable. You'll get there. Some day. Meanwhile, I'm in charge. So today

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you don't get the luxury of all those hours alone with a naked girl. You don't get palettes

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and paint and rags. You get your teacher kicking off her sandals and a city on the table right

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in front of you. Here, your subject matter for today. Female feet. Pick one you'd like

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to begin with. Excellent choice. So, you've studied the bone structure long enough. You

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did your homework. This should be challenging, but not too hard. You now shall be sketching

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as fast as you can, and I shall be changing positions every couple of minutes, so don't

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waste them. It's all about grasping. It's the most substantial here and now in the moment.

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So don't bother making it complete or pretty. Today I want it from your raw. I don't want

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pretty. I want substance. Not ideal feet from the painter's tutorial. Not what you know,

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but what you observe. Got it? And go. Some say that, in a way, hands and feet have even

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more character to them than faces. They are not wrong. Note what this foot says about

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its owner. The foot of a free woman. Not deformed by years of wearing those god-awful torch

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devices, like my poor mother did. Slightly vain, too. I had to remove the varnish for

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this, though. The color is distracting, and you don't get to see the margin, the part

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of the matrix at the base. These are all important. They all add extra detail to a drawing, and

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extra detail is good. Extra detail is life. Now you can really appreciate why sketching

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from a life model is so important. Pictures are generally under or overexposed. They don't

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allow to see the shape of an object in all its complexity, let alone the shape of something

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as intricate as a human body. When you learn the human body by heart from life, go back

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to your reference photos and use them wisely. You'll be able to by then. Changing position.

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I'll try to grab the eraser now with my tools. You don't need it, anyway. Mind the

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lines. Here. Here, look. Look. It's so taut that it almost vibrates. Feel it. Touch it,

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if you must. Oh, you're so sweet. Thank you. I don't know what to kill this morning. And

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when to do what normal girls do. Some groovy. But don't let my feminine charm or whatever

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distract you. I wanted you to observe the better. See? I'll roll that bad leg up so

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that you could see the better. There. Some people draw with their feet, and better than

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some others with their hands. I don't mean you, darling. You are highly promising. Otherwise,

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I wouldn't be here with you. Don't rely on the model being absolutely still. Here. I'm

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moving the eraser around with my tools. Don't let it fool you. What's the matter with you?

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You are too tense. Don't press your sketchbook to your crotch like that. Seriously. This

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is not a test. We can take a break, stand up, walk around, shake your hands or something.

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You cannot work like that. I didn't even push you. Well, not really. Not like they did back

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in my day. Stand up. All right. Put down the sketchbook. It's almost like you are hiding

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something. Oh. Isn't this charming? I wonder what did it for you. It can't be me bossing

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you around. I do that all the time. It's not my feet by any chance, is it? That's sweet.

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That's not really my thing, but I can appreciate the idea. I, for one, am completely fascinated

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with everything about the human body. Except perhaps menstrual cramps. You poor thing.

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You cannot go on like that, can you? Something must be done. Looks like you shall get a little

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action with a model after all. Well, you see, you have your fantasies and I have mine. Models

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are sexy, but so are students. I say we help each other out. Get this out of our system.

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Have this adventure in a proper bohemian way. It will be so decadent, sealing our special

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teacher-student relationship with something even more special. We're both adults. There's

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nothing wrong with it. Sit here where you were sitting before. Yes, I'll stay at my

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table. It's perfect. Like a front seat in a theatre. Unzip. Show me how hard you are.

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Your future models are in for a treat. Start stroking it, darling, and look me right in

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the eye. You were never like this before. I mean, there has always been some chemistry,

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but... Naughty. Naughty. All right, then. When one comes across such an appreciative audience,

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it just feels right to show off, don't you think? What should I do to make it nicer for

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you? Should I just move my toes or rub my feet against each other right in front of

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your face? Maybe I should touch you. I can press my feet against your chest. Put them

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on your shoulders. This is so bad. No slacking, mister. Work it. Look at me. Lick your lips.

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Something else you'd like to lick? No, no, no. That would be over the line. Not now.

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I can still stroke your cheek with my toes, I think. All right. One kiss, but only one.

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Well, that's getting exciting. I know what I shall be fantasizing about in my bath tonight.

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Rub my feet on your shoulders. Not quite like this. Oh my god. You chuck all on your fingers.

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Now on your cock, too. Stroke it like you mean it. I want to see you come. We cannot

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be long. Someone can come in any minute. Faster. Oh, I thought, since feet seem so fascinating

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to you, how about you use mine to get off now? You have my permission. Try not to make

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a mess of my suit, though. But of course you won't. You are an artist, which means you're

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a man of discipline, contrary to popular belief. Hey, I'll get closer myself, all right? I

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said you can use my feet. I said nothing about pulling me close by my knees. Never mind.

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I forgive you. You're too cute. Damn, you are hot. That age hot. Oh, those big, warm

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hands. So lovely. No, no, I'm fine. My feet are always this cold. Warm them up then. Yes,

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hold them together. Thrust up. Now watch. Now here is something you can teach me for a change,

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I guess. I've never done this. It's much more exciting than I thought. The most exciting

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thing is of course how much you ate it. Come on. You're working against the clock today,

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remember? Try to finish your art project as fast as you can. Look closer at my toes curling

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around you. Think. Your teacher almost giving you a full job, almost in public. Kinda hard,

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isn't it? Something to come back to in your shower later, huh? Hold them tighter. Thrust,

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thrust, thrust. Oh, I'm starting to get it. So nice. So uninvasive and yet so hot. Come on,

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come for me. I'm your teacher and you should follow my instruction. Do as you're told. No,

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I tell you to come for me. Don't you want to make my feet warm with your come? Do it. Come

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all over my feet. That's it. That's it. Just a little more. Come on. Come on. God, it burns.

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Have you been setting up? That's not healthy.

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Young man. Come darling. We still have some sketching to do.

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You don't want to waste this lesson, do you?

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You got me some tissue from my back. Let's move on. Come on. Tissue.