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Dobbs.", "count": "26", "submission_left_submission_id": "1301566", "submission_left_file_name": "1825533_rjdobbs_img_0308.jpg", "submission_left_thumbnail_url_huge_noncustom": "https://nl1.ib.metapix.net/files/preview/1825/1825533_rjdobbs_img_0308.jpg", "submission_left_thumbnail_url_large_noncustom": "https://nl1.ib.metapix.net/thumbnails/large/1825/1825533_rjdobbs_img_0308_noncustom.jpg", "submission_left_thumbnail_url_medium_noncustom": "https://nl1.ib.metapix.net/thumbnails/medium/1825/1825533_rjdobbs_img_0308_noncustom.jpg", "submission_left_thumb_medium_noncustom_x": "120", "submission_left_thumb_medium_noncustom_y": "89", "submission_left_thumb_large_noncustom_x": "200", "submission_left_thumb_large_noncustom_y": "149", "submission_left_thumb_huge_noncustom_x": "300", "submission_left_thumb_huge_noncustom_y": "223", "submission_right_submission_id": "3005638", "submission_right_file_name": "4492654_rjdobbs_1457907404.raydobbs_f8-tzntq8z8uaiu4zjca3mvaoaxxtqdejaph1qzhxq8.png", "submission_right_thumbnail_url_huge_noncustom": "https://nl1.ib.metapix.net/files/preview/4492/4492654_rjdobbs_1457907404.raydobbs_f8-tzntq8z8uaiu4zjca3mvaoaxxtqdejaph1qzhxq8.jpg", "submission_right_thumbnail_url_large_noncustom": "https://nl1.ib.metapix.net/thumbnails/large/4492/4492654_rjdobbs_1457907404.raydobbs_f8-tzntq8z8uaiu4zjca3mvaoaxxtqdejaph1qzhxq8_noncustom.jpg", "submission_right_thumbnail_url_medium_noncustom": "https://nl1.ib.metapix.net/thumbnails/medium/4492/4492654_rjdobbs_1457907404.raydobbs_f8-tzntq8z8uaiu4zjca3mvaoaxxtqdejaph1qzhxq8_noncustom.jpg", "submission_right_thumb_medium_noncustom_x": "93", "submission_right_thumb_medium_noncustom_y": "120", "submission_right_thumb_large_noncustom_x": "155", "submission_right_thumb_large_noncustom_y": "200", "submission_right_thumb_huge_noncustom_x": "233", "submission_right_thumb_huge_noncustom_y": "300" } ], "description": "A sketch commissioned from the ever-talented Spotted Chai (formerly known as Tsuhara) that depicts Kyle Waltman applying a little impromptu music therapy with a laboring 'frenemy' Kayla May, who happens to be a famous personality in the R.J. Dobbs novelization. In a way, she represents the path that Kyle never took with his musical talent - forging a musical empire that curiously led her waddling to Kyle's doorstep when she got pregnant. Kayla, never one to sit still and let her mind wander to dark places - decided that her dawdling labor was the -perfect- time to work on songs for her next album, complete with a multi-track portable recorder just outside the field of view. Needless to say, chalk another one up for 'strange but true' stories for Kyle to tell later.\n\n-- Start Story Snippet --\n\nKayla pranced around, wiggling out of her overalls and panties, mumbling, \"Okay okay okay okay.... so... this is just....what...waiting around for this little one to get in gear?\"\n\nKyle offered an encouraging smile to her, \"Ummm, your body has to go through labor to allow the baby to be born... its why its no instantanous... but yeah, its just letting nature do its work for the most part; and trying to not exhaust yourself in the process\"\n\nShe looks at him, \"So, wait - you want me to just SIT here all this time - suffering from the mother of all cramps every so often...and just...cope with it? For hours?\" with a slight look of disbelief, her tail tip twitching.\n\n\"The first stage of labor is longer for your first baby than subsequent pregnancies... but it takes time, yeah. Sit there? No, you can walk around, rock on the yoga-ball like thing we call a 'birth ball' over there, or if you have a partner that you'd like to have around to comfort you through...\" Kyle explained, before Kayla cut him off.\n\n\"Oh no way, Jose. I've got millions of things to do, people to talk to, a record to make. I'm under deadline, Kyle - I can't just screw off waiting for this... besides, I don't take sitting in quiet reflection well. You know that better then most, dude.\"\n\nKyle remembered that Kayla was not one to mire in quiet moments well, she tended to come up with rather....destructive methods to break the stillness. He could only guess why, as he hadn't seen her in some time since he got out of college and left Rochester, but he could tell she had tried to cut her wrists at some point in the past, a thin line of scars shown through her fur as she flexed her fingers and hands nervously. He thought for a moment, but her voice pierced his concentration before his mind could produce.\n\n\"I KNOW! Seeing you again makes me remember we always toyed with performing together... and then you up and went all medical person dude on me... all these ideas just sprung to mind, ideas that my current guitar player can't do - the useless cunt...\" she griped, flexing her fingers and pacing, clearly in a state of agitation.\n\n\"Ummm, point of fact... you toyed with us performing together... and I never made it a secret that I was going to graduate college and move back to the Twin Cities... and I've heard some of your songs, your 'useless cunt' of a guitarist is you on most of your albums\" Kyle explained, his ears slightly pinning back.\n\n\"I'm not referring to THOSE songs or THOSE albums... I mean, the most recent tour... I can't play all that well with this big bummer of a belly bump in the way\" she replied, motioning to her belly, before continuing, \"...though I did have that glowing country momma-to-be vibe going, I've been told... best make-up job ever. But you have this talent, man... something different, its electric.\" she paused, her belly betraying a contraction as she rocked on her feet quietly until the moment passed. She resumed, \"I KNOW! We could record a few songs in my studio... its not that far away, then jet right back here...\"\n\nKyle shook his head, sighing, \"I am not licensed to perform a delivery outside this center, and as a medical professional - I don't think its a good idea to travel in this state. Although labor can take a while, there is no promises that it won't speed up or that more intensive medical intervention wouldn't be required. If I remember right, your studio is in Delano. That's two hours away, conservatively.\"\n\nKayla frowned, \"Kill-joy.... and my studio manager would kill us both if I leaked all over the studio carpet, that is expensive acoustic carpet, perfectly matching the room. Its not like he OWNS the studio, he runs it for me... I KNOW!\" he waddled over to her overalls, digging through the pockets until she produced a cell phone, \"I'll have him bring the essentials HERE!\"\n\nKyle blinked a little, \"You...want to record...your album...while your in the middle of labor?\" he managed to ask. A moan from a nearby room made him think there would be a LOT of unwanted background commotion for that to ever turn out well, despite how well the center was sound-proofed.\n\n\"Record...a master? Hell to the no, midwife-o-mine. More like a creative note pad\" as she dialed the phone, waiting for her studio engineer to answer on the other end.\n\n-- End of Story Snippet --", "description_bbcode_parsed": "A sketch commissioned from the ever-talented Spotted Chai (formerly known as Tsuhara) that depicts Kyle Waltman applying a little impromptu music therapy with a laboring 'frenemy' Kayla May, who happens to be a famous personality in the R.J. Dobbs novelization. In a way, she represents the path that Kyle never took with his musical talent - forging a musical empire that curiously led her waddling to Kyle's doorstep when she got pregnant. Kayla, never one to sit still and let her mind wander to dark places - decided that her dawdling labor was the -perfect- time to work on songs for her next album, complete with a multi-track portable recorder just outside the field of view. Needless to say, chalk another one up for 'strange but true' stories for Kyle to tell later.

-- Start Story Snippet --

Kayla pranced around, wiggling out of her overalls and panties, mumbling, "Okay okay okay okay.... so... this is just....what...waiting around for this little one to get in gear?"

Kyle offered an encouraging smile to her, "Ummm, your body has to go through labor to allow the baby to be born... its why its no instantanous... but yeah, its just letting nature do its work for the most part; and trying to not exhaust yourself in the process"

She looks at him, "So, wait - you want me to just SIT here all this time - suffering from the mother of all cramps every so often...and just...cope with it? For hours?" with a slight look of disbelief, her tail tip twitching.

"The first stage of labor is longer for your first baby than subsequent pregnancies... but it takes time, yeah. Sit there? No, you can walk around, rock on the yoga-ball like thing we call a 'birth ball' over there, or if you have a partner that you'd like to have around to comfort you through..." Kyle explained, before Kayla cut him off.

"Oh no way, Jose. I've got millions of things to do, people to talk to, a record to make. I'm under deadline, Kyle - I can't just screw off waiting for this... besides, I don't take sitting in quiet reflection well. You know that better then most, dude."

Kyle remembered that Kayla was not one to mire in quiet moments well, she tended to come up with rather....destructive methods to break the stillness. He could only guess why, as he hadn't seen her in some time since he got out of college and left Rochester, but he could tell she had tried to cut her wrists at some point in the past, a thin line of scars shown through her fur as she flexed her fingers and hands nervously. He thought for a moment, but her voice pierced his concentration before his mind could produce.

"I KNOW! Seeing you again makes me remember we always toyed with performing together... and then you up and went all medical person dude on me... all these ideas just sprung to mind, ideas that my current guitar player can't do - the useless cunt..." she griped, flexing her fingers and pacing, clearly in a state of agitation.

"Ummm, point of fact... you toyed with us performing together... and I never made it a secret that I was going to graduate college and move back to the Twin Cities... and I've heard some of your songs, your 'useless cunt' of a guitarist is you on most of your albums" Kyle explained, his ears slightly pinning back.

"I'm not referring to THOSE songs or THOSE albums... I mean, the most recent tour... I can't play all that well with this big bummer of a belly bump in the way" she replied, motioning to her belly, before continuing, "...though I did have that glowing country momma-to-be vibe going, I've been told... best make-up job ever. But you have this talent, man... something different, its electric." she paused, her belly betraying a contraction as she rocked on her feet quietly until the moment passed. She resumed, "I KNOW! We could record a few songs in my studio... its not that far away, then jet right back here..."

Kyle shook his head, sighing, "I am not licensed to perform a delivery outside this center, and as a medical professional - I don't think its a good idea to travel in this state. Although labor can take a while, there is no promises that it won't speed up or that more intensive medical intervention wouldn't be required. If I remember right, your studio is in Delano. That's two hours away, conservatively."

Kayla frowned, "Kill-joy.... and my studio manager would kill us both if I leaked all over the studio carpet, that is expensive acoustic carpet, perfectly matching the room. Its not like he OWNS the studio, he runs it for me... I KNOW!" he waddled over to her overalls, digging through the pockets until she produced a cell phone, "I'll have him bring the essentials HERE!"

Kyle blinked a little, "You...want to record...your album...while your in the middle of labor?" he managed to ask. A moan from a nearby room made him think there would be a LOT of unwanted background commotion for that to ever turn out well, despite how well the center was sound-proofed.

"Record...a master? Hell to the no, midwife-o-mine. More like a creative note pad" as she dialed the phone, waiting for her studio engineer to answer on the other end.

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