bpm120
master volume = 100% (even though it's too quiet, the gate effects are primitive so i'm at a loss)
pianos - fl keys - default - grand piano (3mb)     LMMS:zynaddsubfx>soft piano 1
	{g, a#, (c, [d#}, f#), g#]  made-up chords
	assigned random beats to each pitch
	123	d#	quarter notes
	12	c	1e,2,4,5,6
	23	f#	1.5,3.5,5.5,7.5
	3	g#	2.5,3,4.5,6.5,7,8.5
	1	a#	1,3,5,7and
	1	g	2hold,4,6hold,8

pattern arrangement
	overlaps
		1+2 ok
		1+3 ok  = 1+2+3
		2+3 ok
	transitions
		double>triple ok	triple>double ok	
		1>2 ok			1>1(2)3       no	2>12 eh
		2>3 eh			2>1(2)3       no	2>23 ok
		3>1 ok			3>1(2)3       eh	
		3>2 ok			1(2)3>1       eh	
		1>3 eh			1(2)3>2       ok	
		2>1 eh			1(2)3>3       eh	
	1x8,2x6,23x4,3x4,2x3,23x2,13x10,2,23,3,1,12,23,12,1,12,13,23,3,1,2,12,23,12,23,13,3x4,1x2,2,12x8
arp lead - sytrus - ?       LMMS:zynaddsubfx>noise1
	single measures, whole notes.  ignoring presence of pitch d

	mid1		a#+g+c
	mid2		f#+c
	mid3		g#+f#
	mid12		a#+g+f#+c
	mid23		g#+f#+c
	mid1(2)3	a#+g#+g+f#+c
			differ		similar
	1t2		a#+g+f#		c
	2t23		g#		f#+c
	23t3		c		g#+f#
	3t2		g#+c		f#
	23t13		a#+g		g#+f#+c
	13t2		a#+g#+g		f#+c
	3t1		a#+g#+g+f#+c	nothing
	1t12		f#		a#+g+c
	12t23		a#+g#+g		f#+c
	12t13		g#		a#+g+f#+c
	13t23		a#+g		g#+f#+c
	2t12		a#+g		f#+c
	13t3		a#+g+c		g#+f#
	go with differ, so
	1t2
	2t23	=12t13
	23t3
	3t2
	23t13	=13t23	=2t12
	13t2	=12t23
	3t1
	1t12
	13t3
	the ts can be reversed
	arrangement
		mids in middle of piano portions
		mids inbetween mids if piano doesn't change
		ts inbetween mids if piano does change
[crash occurred here, switch programs]
Effects too archaic in LMMS, using volume:
	mid volumes default to 59%
	1 volume down to 40% due to chord
	t volumes up to 130%
		23t13, 3t2 up to 140%
		1t12, 2t23, 23t3 up to 150%
drum/bass	kicker>clap	volume 2%
	play during repeat measures, where there's a mid but would otherwise be a t
	different rhythm per piano part	
	1	1/8,2/8,5/8,6/8  [repeat each note]
	2	1.(1/8),1.(2/8),1.(3/8),2.(1/8),3.(1/8),3.(2/8),3.(3/8),4.(1/8)
	3	1/8,3/8,5/8,7/8  [repeat each note]
	12	long quarter notes for first half of the measures, then long half notes for the rest of the measures
	23	1.(1/8),1.(3/8),2.(1/8),2.(5/8),2.(7/8),3.(6/8),4.(4/8)
	13	every note but last of measure, for three measures, then a different fourth measure [repeat sequence]
		the fourth measure = [writing only missing notes here]  3.(4/8),4.(4/8),4.(8/8)