There is only filth this week, and I'm sure everyone is upset with that. To compensate, I'll be posting the first chapter of "Death of the Actor: the Why and Howl of Nathan Stone" shortly after this goes up.

Our lesson is on the Pantoum. A pantoum has a specific structure: you have quatrains (groups of four verses) that follow the rhyme scheme of abab. In the first quatrain, you simply have four lines. In the second quatrain, however, you repeat the second and fourth verses of the first quatrain as the first and third verses of the second quatrain.  In this way, the format looks like: abab bcbc cdcd dede, and so on, until you reach the last verse. In the structure I learned, you use the first and third verses of the first quatrain as the second and fourth verses of the last quatrain.

So, the end result is: abab bcbc cdcd dada (or, more precisely, ABCD BEDF EGFH AICJ).


Prisoner Tod
You enter the room and see /
A pris’ner on the floor—that’s me /
Hands tied at his back /
Displaying his sack /
For the night you’re the turnkey /

The Tod takes his bondage quite happily /
His blindfold and cuffs fastened snappily /
His sins are quite numerous /
Position quite humorous /
Your task is to "punish" him thoroughly /

He takes well to a smack on the rear /
And won’t mind if you nip at his ear /
He surely won’t pass /
On your dick in his ass /
Moaning so loud his neighbours can hear.


There is no reprieve from lewd limericks.


Free Samples
There once was a slutty-ass fox /
Who loved his men hung like an ox /
To solve all his woes /
Jack tore off his clothes /
And locked him, nude, in the stocks.

Clad in only his fur, Tod drew  /
A crowd, and in number it grew /
Used well at both ends /
Tod made his amends /
By servicing all those in the queue.

-Charles Michael Averin