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"https://nl1.ib.metapix.net/files/preview/3240/3240784_Somnax_speed_eggs_final.jpg", "submission_right_thumbnail_url_large_noncustom": "https://nl1.ib.metapix.net/thumbnails/large/3240/3240784_Somnax_speed_eggs_final_noncustom.jpg", "submission_right_thumbnail_url_medium_noncustom": "https://nl1.ib.metapix.net/thumbnails/medium/3240/3240784_Somnax_speed_eggs_final_noncustom.jpg", "submission_right_thumb_medium_noncustom_x": "91", "submission_right_thumb_medium_noncustom_y": "120", "submission_right_thumb_large_noncustom_x": "152", "submission_right_thumb_large_noncustom_y": "200", "submission_right_thumb_huge_noncustom_x": "227", "submission_right_thumb_huge_noncustom_y": "300" } ], "description": "It's sensible to remind cows like this one from time to time of what's so special about them. Not that it'll do her much good in this particular moment, but keeping everyone on the same page makes life a lot easier.\n__________________________________________________________________________________\n__________________________________________________________________________________\n\nFinally, actual sex [i]and[/i] inflation/pregnancy/whatever thing making a character \"big.\" I think this will be the last piece I make before going back into digital works, although my next one will probably be for practice as well (just practice making a finished digital piece). Hoping tracing a sketch in Krita won't be overly boring.\n\nI don't know what it is about drawing on paper making me want to add dialogue, though. Maybe it's because there's no background for me to worry about obscuring, and I can crop the image however I want after the fact. Speaking of which, I did the \"cropping out the feet\" thing again because I apparently still like to avoid drawing those when given the chance. At least I'm reasonably capable of doing so now, though.\n\nMy feelings on the sketch itself are kind of varied. I did run into the unfortunate realization that spending too much time on something in pencil means that considerable amounts of smudging will eventually start to happen, at least with the combination of paper and lead I was using (I really can't see myself justifying buying special materials for this, though). There are bigger issues beyond that, though, namely me still having a hard time with foreshortening (who doesn't) and getting extremities the right size. I need to figure out some rule of thumb for how big to make hands and feet, because damn is it inconsistent in these sketches. The posing itself mostly seems alright to me, with me feeling fairly comfortable with it now, at least. The most \"new\" aspect of this piece was actually the angle at which I drew the characters' heads. One might notice that I basically only ever draw heads at one angle, so trying a lower one (seeing what would be the chin if my characters had such a chin) was something new, and actually a fairly satisfying success.\n\nAs always, though, making something on paper introduces the new element of having to digitize it, and I still don't have the slightest damned idea of what I'm doing with that. I experimented a bit with this one, in part because I knew the smudges had left it largely fucked anyways, but it unfortunately ended in really uneven lighting that I just don't know how to deal with. I did something I've done before where I basically carve out the actual content against a solid white background, but I'm not sure it looks that nice, especially when there's such a steep contrast in some places (i.e. anywhere towards the bottom in this piece). It seems standard practice to play with the levels to increase contrast between lineart and plain canvas, but an unfortunate side effect seen here is that it greatly magnifies uneven lighting. My tail in particular became a victim of this, with it actually turning a bit white because the light was a bit stronger up there prior to the adjustment of levels. Then there's the question of adding some further \"post processing\" to enhance the piece, which I tried out for the first time here. Most of the marks on the belly got drowned out with the level adjustment, so I actually modified the levels just on the belly to make it all trend darker. It's an interesting effect, I think.\n\nMaybe I'll figure out a formula for this stuff eventually, I guess. If I'm only digitizing pieces so that I can paint over them in Krita, most of this stuff doesn't matter in the slightest, but I'm not sure what I'm going to do if I want to distribute sketches again.", "description_bbcode_parsed": "It's sensible to remind cows like this one from time to time of what's so special about them.  Not that it'll do her much good in this particular moment, but keeping everyone on the same page makes life a lot easier.
__________________________________________________________________________________
__________________________________________________________________________________

Finally, actual sex and inflation/pregnancy/whatever thing making a character "big."  I think this will be the last piece I make before going back into digital works, although my next one will probably be for practice as well (just practice making a finished digital piece).  Hoping tracing a sketch in Krita won't be overly boring.

I don't know what it is about drawing on paper making me want to add dialogue, though.  Maybe it's because there's no background for me to worry about obscuring, and I can crop the image however I want after the fact.  Speaking of which, I did the "cropping out the feet" thing again because I apparently still like to avoid drawing those when given the chance.  At least I'm reasonably capable of doing so now, though.

My feelings on the sketch itself are kind of varied.  I did run into the unfortunate realization that spending too much time on something in pencil means that considerable amounts of smudging will eventually start to happen, at least with the combination of paper and lead I was using (I really can't see myself justifying buying special materials for this, though).  There are bigger issues beyond that, though, namely me still having a hard time with foreshortening (who doesn't) and getting extremities the right size.  I need to figure out some rule of thumb for how big to make hands and feet, because damn is it inconsistent in these sketches.  The posing itself mostly seems alright to me, with me feeling fairly comfortable with it now, at least.  The most "new" aspect of this piece was actually the angle at which I drew the characters' heads.  One might notice that I basically only ever draw heads at one angle, so trying a lower one (seeing what would be the chin if my characters had such a chin) was something new, and actually a fairly satisfying success.

As always, though, making something on paper introduces the new element of having to digitize it, and I still don't have the slightest damned idea of what I'm doing with that.  I experimented a bit with this one, in part because I knew the smudges had left it largely fucked anyways, but it unfortunately ended in really uneven lighting that I just don't know how to deal with.  I did something I've done before where I basically carve out the actual content against a solid white background, but I'm not sure it looks that nice, especially when there's such a steep contrast in some places (i.e. anywhere towards the bottom in this piece).  It seems standard practice to play with the levels to increase contrast between lineart and plain canvas, but an unfortunate side effect seen here is that it greatly magnifies uneven lighting.  My tail in particular became a victim of this, with it actually turning a bit white because the light was a bit stronger up there prior to the adjustment of levels.  Then there's the question of adding some further "post processing" to enhance the piece, which I tried out for the first time here.  Most of the marks on the belly got drowned out with the level adjustment, so I actually modified the levels just on the belly to make it all trend darker.  It's an interesting effect, I think.

Maybe I'll figure out a formula for this stuff eventually, I guess.  If I'm only digitizing pieces so that I can paint over them in Krita, most of this stuff doesn't matter in the slightest, but I'm not sure what I'm going to do if I want to distribute sketches again.", "writing": "", "writing_bbcode_parsed": "", "pools_count": 2, "title": "Life as livestock", "deleted": "f", "public": "t", "mimetype": "image/png", "pagecount": "1", "rating_id": "2", "rating_name": "Adult", "ratings": [ { "content_tag_id": "4", "name": "Sexual Themes", "description": "Erotic imagery, sexual activity or arousal", "rating_id": "2" } ], "submission_type_id": "2", "type_name": "Sketch", "guest_block": "f", "friends_only": "f", "comments_count": "1", "views": "1351" }