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was a lot of work just to kick off March Maleness with a Week of Pandora's Box, but I think it looks good enough to be worth that effort. The story notes that there is a \"Commission UI\" for computing devices and while it's not well defined yet, it's very much meant to draw inspiration from LCARS. More on the Commission OS at another time, though.\n\nErick hasn't gotten a lot of journal coverage from Hannah lately, but this datasheet should provide some helpful background. He'll be coming back soon enough. Note that while Erick isn't the only male slave Hannah has seen and met, he is the only one she both knows the name of and isn't being taught by. Taking some hints from her recent journal entries, could it be that she has a crush on him? Also, his birthdate was decided on the spur of the moment -- I hadn't set one before, but I knew that his life in the Berliner U-Bürokomplex began when he was 20, and he's had quite  few years to get used to being a slave before Hannah came along. I also knew he had been sold by Dietrich to Kaiza -- what isn't noted here is that Dietrich was Erick's first adult boyfriend, and supposedly he intended to buy Erick back after Kaiza had made him into a good homemaker and personal pet, except that Kaiza reneged on their agreement. Note that most of Pandora's slaves have some difficulty in their backstory -- Erick's big problem is abandonment issues that go back to his childhood.\n\nAlso, for anybody who has read both [i]Lost Light[/i] and [i]Finding Pandora's Box[/i] you might have noticed a familiar name before -- and you may notice another familiar name here. Lost Light is the story that debuted my conception of a Niemen Facility, a theoretically self-sustaining underground setting used by slavers to facilitate a slave trade literally below the noses of the people who would like to hunt them down the most, and Kaiza, or Kaizer, was a sadistic middle-aged Japanese man. Of course, there are differences between the stories even though they share characters like Yuki and Kaiza, notably that [i]Finding Pandora's Box[/i] has furres or furries while [i]Lost Light[/i] had Digimon. No Digimon are intended to ever appear in Finding Pandora's Box, due to the copyright clusterfuck that would create -- and that includes digimon-formed furres.\n\nAs the image says: [i]Finding Pandora's Box[/i], the Niemen Facility Commission, Erick Kuiper, and all related marks and names are © 2019 myself. All embedded images and the UI design are also my own personal work.\n\nErick Kuiper modeled in Blender using MB-Labs, rendered in Cycles using Blender 2.79b. Censorship rendered in for the sake of InkBunny -- as a major character in an ongoing story, I believe he should be presented to all readers.\n[center]\n[b]Check out my Galleries[/b]\n[b][url=https://furaffinity.net/user/kharonalpua/]FurAffinity[/url] | [url=https://beta.furrynetwork.com/xaron_alpua/]FurryNetwork[/url] | [url=https://inkbunny.net/KharonAlpua]InkBunny[/url] | [url=https://kharonalpua.sofurry.com]SoFurry[/url][/b]\n\n[b]Support me through[/b]\n[b][url=https://patreon.com/kharonalpua]Patreon[/url] | [url=https://docs.google.com/document/d/1HHmBEWyx68MW7qwJsle44GW2tPQO-UCcH2LpUkRxpjM/edit?usp=sharing]Commissions[/url][/b][/center]\n\n\n[url=http://www.postybirb.com]Posted using PostyBirb[/url]","description_bbcode_parsed":"This was a lot of work just to kick off March Maleness with a Week of Pandora's Box, but I think it looks good enough to be worth that effort. The story notes that there is a "Commission UI" for computing devices and while it's not well defined yet, it's very much meant to draw inspiration from LCARS. More on the Commission OS at another time, though.

Erick hasn't gotten a lot of journal coverage from Hannah lately, but this datasheet should provide some helpful background. He'll be coming back soon enough. Note that while Erick isn't the only male slave Hannah has seen and met, he is the only one she both knows the name of and isn't being taught by. Taking some hints from her recent journal entries, could it be that she has a crush on him? Also, his birthdate was decided on the spur of the moment -- I hadn't set one before, but I knew that his life in the Berliner U-Bürokomplex began when he was 20, and he's had quite  few years to get used to being a slave before Hannah came along. I also knew he had been sold by Dietrich to Kaiza -- what isn't noted here is that Dietrich was Erick's first adult boyfriend, and supposedly he intended to buy Erick back after Kaiza had made him into a good homemaker and personal pet, except that Kaiza reneged on their agreement. Note that most of Pandora's slaves have some difficulty in their backstory -- Erick's big problem is abandonment issues that go back to his childhood.

Also, for anybody who has read both Lost Light and Finding Pandora's Box you might have noticed a familiar name before -- and you may notice another familiar name here. Lost Light is the story that debuted my conception of a Niemen Facility, a theoretically self-sustaining underground setting used by slavers to facilitate a slave trade literally below the noses of the people who would like to hunt them down the most, and Kaiza, or Kaizer, was a sadistic middle-aged Japanese man. Of course, there are differences between the stories even though they share characters like Yuki and Kaiza, notably that Finding Pandora's Box has furres or furries while Lost Light had Digimon. No Digimon are intended to ever appear in Finding Pandora's Box, due to the copyright clusterfuck that would create -- and that includes digimon-formed furres.

As the image says: Finding Pandora's Box, the Niemen Facility Commission, Erick Kuiper, and all related marks and names are © 2019 myself. All embedded images and the UI design are also my own personal work.

Erick Kuiper modeled in Blender using MB-Labs, rendered in Cycles using Blender 2.79b. Censorship rendered in for the sake of InkBunny -- as a major character in an ongoing story, I believe he should be presented to all readers.

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