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  "description": "Over the years I've kinda grown a bit tired of my wolf character. So I commissioned SynnfulTiger over on IB to make me a reference sheet for a new main character.\n\nNickname(s) - Shad, Shadow-cat\nSex/Gender - Male\nSpecies - Fae Panther\nAge - Early 20s\n\nCharacter Description\nShadwell, or 'Shad' to his friends, is a panther with a strong faerie heritage.\n\nPersonality\nShad is a rather sombre but mischievous individual. He has a great sense of wonder and enjoyment, and enjoys exploring, but tries to effect an air of aloofness and cockiness in what he experiences. When he is comfortable, he allows himself to indulge and enjoy himself fully. He has a cantankerous sense of humour, and often enjoys comedy at the expense of others, although he is never malicious in this. He is highly critical of things, including himself. As an unseelie fae, he is often self-motivated.\n\nLikes/Dislikes\nSwimming, tabletop roleplaying games, choose-your-own-adventure books, writing, model painting, being spanked (wait, that should be in dislikes...), board games, getting his stories published, MMORPGs\n\nBackground/History\nHistorically the fae are a type of nature spirit. Many cultures have nature spirits, including Japanese shinto and native American, but the fae (or fair folk) are those derived from Celtic roots. As mentioned, they were reinvented by later writers into what we consider to be elves these days.\nIn the old days, the fae dwelled often in the woodlands. This is because woodlands were so common over the British isles at the time, and represented a hazardous terrain outside of human settlements, a place where a sinister 'other' could dwell out of sight. Think Robin Hood and the like.\nThe fae were divided into two classes, commoners and nobles (because that is how society worked at the time, and people cannot really imagine things outside of their spheres of experience). The common fae were boggans and pixies - the kind that would keep bad spirits away if you left them a saucer of milk at night, or might make sounds that drew your hunting party off to an unfamiliar path through the forest.\n\nRelatives/Family\nThe nobles, or sidhe (pron 'shee', is in baensidhe, banshee) were seen as powerful beings, inhuman. In some beliefs, they were the true owners of the land, which people simply occupied - hence they were often referred to as the gentry. They tended, like humans, to have a great deal of heraldry to them. They were often far less interested in human affairs than the commoners, and were less likely to play tricks. People who wandered too far from home may be caught in their wild hunts, and become part of the prey (think fox hunting). The nobles existed in two courts- the seelie (honorable and benevolent, who represented summer) and unseelie (cunning and malicious, representing winter), with each court 'ruling' for half of the year before transferring power to the other at midsummer and Halloween respectively.\nFor good examples of both of those, look for King Oberon (a midsummer night's dream) and Queen Mab (king Arthur).\n\nWorld/Setting\nFae are also connected to Changeling. That is the idea that an infant has been abducted, replaced with an exact duplicate of itself. This is nowadays recognised as a condition in post natal terms. But it has themes that connect it to the doppelganger idea, and can be seen in films like invasion of the body snatchers. Labyrinth also deals with this, but labyrinth also covers a lot in terms of fae, basically making it required viewing.\nCold iron is a big no. It is a material that represents calcification and stasis, which is anathema to the capricious nature of the fae.\nThorns and briars are a recurring motiff, representing the boundary between the mortal and fae world. In some modern reworking, the fae world is influenced or shared by the 'dreaming', the new-agey idea that all people share a collective dream world. Other images include circles of objects (toadstools, standing stones) to represent a gateway between mortal and fae worlds.\nAs they are not human, and tend not to share human concerns, clothing is variable between fae. The more human may wear some, while those with less in the way of courtly armour to display may not. They also count many satyrs among the same collective mythos, so you can imagine what their nude parties are like. For the most part, think dressed down elves for style.\n\nBody\nThe character is a male black panther of a slim athletic build with fae features. Starting with his head, his ears are distinctly pointed and tall. They are still feline in structure, but are pointed upwards (not to the side) at a length that would be clearly visible from a distance - he is visibly elven, not vulcan. His right ear has two loop piercings, next to one another, silver.\nHis hair is jet black, darker than his body fur. It is somewhat long at the front, with roughly four or so bangs that are positioned at the front and side of his face, which may cover the base of his ears. The tips of these bangs are purple, aside from one positioned off-centre to the right of the middle of his face, which is blood red. At the back, his hair is tied into a braid, and descends to the mid point of his back.\nHis eyes are rimmed with a soft gray circle. He has a stud piercing located on his left eyebrow, also silver. His eyes resemble those of a human rather than those of a cat. However, care should be given to the colour of his eyes.\nHis upper body is skinny and 'twink'ish, and looks like that of a teenager. His chest, stomach, crotch, inner thighs and buttocks are shaded a few hues lighter than the rest of his fur, giving the fur in those regions a more grayish look. He has a tuft of fur located between his nipples, over his heart. About three inches above this tufs, on a necklace around his neck, hangs a Mjolnir pendant, silver.\nHis eyes are like those of a human. However the iris contains two colours, and are a fraction larger than normal. The outer colour is an amber-yellow shade, while a secondary colour, closer to the pupil, is a strong green. The green is shaped in such a way that it seems to explode outwards, like a starburst.\nOn his right shoulder, he has a tattoo - in white. This tattoo glows to silver in the moonlight.\nHis legs are wiry and slender. His tail is suitably long and has only a small tuft at the end. His buttocks are only somewhat fat, youthful.\n\nClothing\nIn urban locations, Shadwell often wears clothing generally appropriate to his setting - jeans, t-shirts and the like. Even in this mode, you will still find the occasional accessory or trinket that is stylistically reminiscent of his fae heritage.\nIt is only when he is in more natural environments like forests that he will dress fully in his traditional garb. He tends to wear clothes that humans would consider to be revealing, enjoying the feel of nature against his fur and skin, hence fabrics tend to be light and breezy and have a natural feel to them. He tends to have little in the way of embarrassment and will readily shuck off clothing in order to swim nude should the opportunity present itself.\n\nAccessories\nHe usually has a bracelet or armband in a stylistic pattern. Although he is skilled in several cantrip arts, he prefers to carry some armaments, often bows and short bone/branch daggers. His pendant and anklet are described above. In addition, he will often adorn himself with items that are reminiscent of the movie 'Labyrinth'.\n\nKinks\nSpanking, bondage, forced/noncon, foot, sadomasochism, casual nudity\n\nSexuality\nHe is pansexual and open to sexual encounters with partners of any sex or gender.\n\nGenitals/Reproduction\nHis genitals should be like those of a human male who is uncircumsized. His pubic fur is rather tufty. Aroused, his genitals are distinctly human, not animalistic. He is uncircumsized, and a fraction under 8 inches long. His penis should look girthy and it is advised to include a prominent vein. The tip is smoothly rounded and a pink colour, while the rest is the same shade of grey as the rest of his crotch fur.\n\nSexual Description\nShadwell's player enjoys the spanking kink very much, and intends to subject Shad to it in many art pieces. Shad is unused to such treatment, and reacts to having his buttocks struck with embarrassment, cries of pain, and eventually tears. Shad may also be depicted in non-consensual scenes, being forcefully dominated by partners, and may at times be bound and tied. Art pieces depicting him may also be angled to subtly and tastefully emphasise his feet at times.",
  "description_bbcode_parsed": "<span style='word-wrap: break-word;'>Over the years I&#039;ve kinda grown a bit tired of my wolf character. So I commissioned SynnfulTiger over on IB to make me a reference sheet for a new main character.<br /><br />Nickname(s) - Shad, Shadow-cat<br />Sex/Gender - Male<br />Species - Fae Panther<br />Age - Early 20s<br /><br />Character Description<br />Shadwell, or &#039;Shad&#039; to his friends, is a panther with a strong faerie heritage.<br /><br />Personality<br />Shad is a rather sombre but mischievous individual. He has a great sense of wonder and enjoyment, and enjoys exploring, but tries to effect an air of aloofness and cockiness in what he experiences. When he is comfortable, he allows himself to indulge and enjoy himself fully. He has a cantankerous sense of humour, and often enjoys comedy at the expense of others, although he is never malicious in this. He is highly critical of things, including himself. As an unseelie fae, he is often self-motivated.<br /><br />Likes/Dislikes<br />Swimming, tabletop roleplaying games, choose-your-own-adventure books, writing, model painting, being spanked (wait, that should be in dislikes...), board games, getting his stories published, MMORPGs<br /><br />Background/History<br />Historically the fae are a type of nature spirit. Many cultures have nature spirits, including Japanese shinto and native American, but the fae (or fair folk) are those derived from Celtic roots. As mentioned, they were reinvented by later writers into what we consider to be elves these days.<br />In the old days, the fae dwelled often in the woodlands. This is because woodlands were so common over the British isles at the time, and represented a hazardous terrain outside of human settlements, a place where a sinister &#039;other&#039; could dwell out of sight. Think Robin Hood and the like.<br />The fae were divided into two classes, commoners and nobles (because that is how society worked at the time, and people cannot really imagine things outside of their spheres of experience). The common fae were boggans and pixies - the kind that would keep bad spirits away if you left them a saucer of milk at night, or might make sounds that drew your hunting party off to an unfamiliar path through the forest.<br /><br />Relatives/Family<br />The nobles, or sidhe (pron &#039;shee&#039;, is in baensidhe, banshee) were seen as powerful beings, inhuman. In some beliefs, they were the true owners of the land, which people simply occupied - hence they were often referred to as the gentry. They tended, like humans, to have a great deal of heraldry to them. They were often far less interested in human affairs than the commoners, and were less likely to play tricks. People who wandered too far from home may be caught in their wild hunts, and become part of the prey (think fox hunting). The nobles existed in two courts- the seelie (honorable and benevolent, who represented summer) and unseelie (cunning and malicious, representing winter), with each court &#039;ruling&#039; for half of the year before transferring power to the other at midsummer and Halloween respectively.<br />For good examples of both of those, look for King Oberon (a midsummer night&#039;s dream) and Queen Mab (king Arthur).<br /><br />World/Setting<br />Fae are also connected to Changeling. That is the idea that an infant has been abducted, replaced with an exact duplicate of itself. This is nowadays recognised as a condition in post natal terms. But it has themes that connect it to the doppelganger idea, and can be seen in films like invasion of the body snatchers. Labyrinth also deals with this, but labyrinth also covers a lot in terms of fae, basically making it required viewing.<br />Cold iron is a big no. It is a material that represents calcification and stasis, which is anathema to the capricious nature of the fae.<br />Thorns and briars are a recurring motiff, representing the boundary between the mortal and fae world. In some modern reworking, the fae world is influenced or shared by the &#039;dreaming&#039;, the new-agey idea that all people share a collective dream world. Other images include circles of objects (toadstools, standing stones) to represent a gateway between mortal and fae worlds.<br />As they are not human, and tend not to share human concerns, clothing is variable between fae. The more human may wear some, while those with less in the way of courtly armour to display may not. They also count many satyrs among the same collective mythos, so you can imagine what their nude parties are like. For the most part, think dressed down elves for style.<br /><br />Body<br />The character is a male black panther of a slim athletic build with fae features. Starting with his head, his ears are distinctly pointed and tall. They are still feline in structure, but are pointed upwards (not to the side) at a length that would be clearly visible from a distance - he is visibly elven, not vulcan. His right ear has two loop piercings, next to one another, silver.<br />His hair is jet black, darker than his body fur. It is somewhat long at the front, with roughly four or so bangs that are positioned at the front and side of his face, which may cover the base of his ears. The tips of these bangs are purple, aside from one positioned off-centre to the right of the middle of his face, which is blood red. At the back, his hair is tied into a braid, and descends to the mid point of his back.<br />His eyes are rimmed with a soft gray circle. He has a stud piercing located on his left eyebrow, also silver. His eyes resemble those of a human rather than those of a cat. However, care should be given to the colour of his eyes.<br />His upper body is skinny and &#039;twink&#039;ish, and looks like that of a teenager. His chest, stomach, crotch, inner thighs and buttocks are shaded a few hues lighter than the rest of his fur, giving the fur in those regions a more grayish look. He has a tuft of fur located between his nipples, over his heart. About three inches above this tufs, on a necklace around his neck, hangs a Mjolnir pendant, silver.<br />His eyes are like those of a human. However the iris contains two colours, and are a fraction larger than normal. The outer colour is an amber-yellow shade, while a secondary colour, closer to the pupil, is a strong green. The green is shaped in such a way that it seems to explode outwards, like a starburst.<br />On his right shoulder, he has a tattoo - in white. This tattoo glows to silver in the moonlight.<br />His legs are wiry and slender. His tail is suitably long and has only a small tuft at the end. His buttocks are only somewhat fat, youthful.<br /><br />Clothing<br />In urban locations, Shadwell often wears clothing generally appropriate to his setting - jeans, t-shirts and the like. Even in this mode, you will still find the occasional accessory or trinket that is stylistically reminiscent of his fae heritage.<br />It is only when he is in more natural environments like forests that he will dress fully in his traditional garb. He tends to wear clothes that humans would consider to be revealing, enjoying the feel of nature against his fur and skin, hence fabrics tend to be light and breezy and have a natural feel to them. He tends to have little in the way of embarrassment and will readily shuck off clothing in order to swim nude should the opportunity present itself.<br /><br />Accessories<br />He usually has a bracelet or armband in a stylistic pattern. Although he is skilled in several cantrip arts, he prefers to carry some armaments, often bows and short bone/branch daggers. His pendant and anklet are described above. In addition, he will often adorn himself with items that are reminiscent of the movie &#039;Labyrinth&#039;.<br /><br />Kinks<br />Spanking, bondage, forced/noncon, foot, sadomasochism, casual nudity<br /><br />Sexuality<br />He is pansexual and open to sexual encounters with partners of any sex or gender.<br /><br />Genitals/Reproduction<br />His genitals should be like those of a human male who is uncircumsized. His pubic fur is rather tufty. Aroused, his genitals are distinctly human, not animalistic. He is uncircumsized, and a fraction under 8 inches long. His penis should look girthy and it is advised to include a prominent vein. The tip is smoothly rounded and a pink colour, while the rest is the same shade of grey as the rest of his crotch fur.<br /><br />Sexual Description<br />Shadwell&#039;s player enjoys the spanking kink very much, and intends to subject Shad to it in many art pieces. Shad is unused to such treatment, and reacts to having his buttocks struck with embarrassment, cries of pain, and eventually tears. Shad may also be depicted in non-consensual scenes, being forcefully dominated by partners, and may at times be bound and tied. Art pieces depicting him may also be angled to subtly and tastefully emphasise his feet at times.</span>",
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