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"description": "[i]Music can set most anything in motion, and in the dark recesses of the great manor overlooking the small town, it sometimes seemed to be the only other thing besides twisted desire that truly moved the mistress. The melody flowed in like a gentle wave, not a great tsunami but neither just a splash; just that soft gentle kiss like something out of a dream or a memory. Music can even stimulate the heart, so it is said, and even the blackest of hearts, or the most broken, often cannot help but pump just a bit quicker or slower to the whim of a song.\n\nNot all enjoy the motion; the captive audience in Zira's odd ritual were hoping the long slow song would end all the quicker if only out of hopes that their current predicament would be replaced with a slightly less constricting one. With mouths gagged tight to silent any protests that could ruin Zira's moment, the only swaying the prisoners could do was not a dance but a humiliating motion against each other. Each woman had been bound up in a tight ball tie, their legs over their heads, and hung close together. Their soft gyrations and gentle swinging accompanied the music with a low chorus of muffled pleading and the creaking of ropes and knots.\n\nEvery time Zira gave one end a playful push, it was like a Newton's cradle, albeit a poor one; instead of a continuing sliding back and forth and a soothing clacking sound, the girls usually just bumped into each other and let out shared muffled grunts and groans of irritation and impact. They all liked music fine, but this was certainly not their idea of a 'contagious beat'.\n\nMusic has its own meaning to all who hear its sweet call, and a dance can mean so much to many. To some, like the brown furred saluki, it was a good way to pass the time. To the husky mother Jenna, it was a pleasant way to unwind. To those adjacent to her, the diva Dixie on her left and that violet-colored ex-theater star she had seen around a few times who she swore was named Zoe, it was more than work, it was life.\n\nBut it truly meant the most to Lady, so close as she was to the railyards in her day to day. After a long hard day full of steam and sweat and sore sinews, a chance to cut a rug in the tavern with her Tramp in hand was enough to make their life worthwhile. Not unlike how they danced the first night they truly became lost in each other's eyes. To her, it meant be forever young and in love together.\n\nIn an odd way, that was why she could not bring herself to look at their captor, twirling around humming to the creaking chords of the rusty old gramophone, even as the others dared the odd glance or just shut their eyes waiting for more discomfort; in her eyes, she knew Zira was lost.\n\nFor just a night, caught under the waltz's spell, Zira was young again; the belle of the ball, a daring debutante in the arms of a handsome stranger, a soldier, a suave gentleman with the most intriguing scar upon his regal-looking cheekbones up to his green eyes full of passion and drive. Her hands from the sleeves of her great flowing scarlet dress did not grasp empty air, not to her mind's eye, clouded with the dreamy look of a girl's first love.\n\nThe lioness moved around the bumping and gyrating canines as she twirled and danced. Letting go of her invisible partner now and again with a stray hand in order to run her fingers across a breast or thigh, cup the round swells of an exposed and presented ass, or tease a trembling mound and twerk a pleading muzzle. Pulling and pushing all the while in order to keep the suspended bodies thumping against one another.\n\nEven Jenna could not help but notice that playful air to the demure widow, one she had seen far too often back home in Nome with some of her old acquaintances when they spotted a handsome fellow close-by, even if this one was one that only Zira could see; the teasing escapes that focused on a captive hound in order play hard to get, trying to fake looking away, trying to dance nearer to someone else to see if the real partner they wanted most would pursue.\n\nThe gramophone's track finally comes to a slow end at last, the aged lioness closing her eyes and taking a deep inhale. Slowly catching her bearings again, she playfully sauntered over to her captives and pulled back again on a wide-eyed Rita.\n\n“...wasn't that fun? Who wants to go again?”\n\nThe panicked whimpers and pleas were easy to ignore as, with all the mischievous glee of a young maiden, her age forgotten, Zira released her prisoner in the one way she knows full well that they would prefer not to be.\n\nRita swung down in a high arc, wide-eyed, the ropes creaking as they brought her into a hard impact with the shivering Irish setter. Who in turn was sandwiched against the well-proportioned husky. The poor little king cavaliere, the smallest of them all, found herself smushed up onto the cocker. Who with a soft whine was swung out in just enough of an arch to settle back and start the process in reverse.\n\nZira almost giggled giddily as she took in the sight of their bodies meeting, albeit still unable to hide the rasp in her voice from her age and years of smoking, she practically skips over back to the gramophone to wind it up again.\n\n“Well, since you're so enthusiastic about it~”[/i]",
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Not all enjoy the motion; the captive audience in Zira's odd ritual were hoping the long slow song would end all the quicker if only out of hopes that their current predicament would be replaced with a slightly less constricting one. With mouths gagged tight to silent any protests that could ruin Zira's moment, the only swaying the prisoners could do was not a dance but a humiliating motion against each other. Each woman had been bound up in a tight ball tie, their legs over their heads, and hung close together. Their soft gyrations and gentle swinging accompanied the music with a low chorus of muffled pleading and the creaking of ropes and knots.
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Music has its own meaning to all who hear its sweet call, and a dance can mean so much to many. To some, like the brown furred saluki, it was a good way to pass the time. To the husky mother Jenna, it was a pleasant way to unwind. To those adjacent to her, the diva Dixie on her left and that violet-colored ex-theater star she had seen around a few times who she swore was named Zoe, it was more than work, it was life.
But it truly meant the most to Lady, so close as she was to the railyards in her day to day. After a long hard day full of steam and sweat and sore sinews, a chance to cut a rug in the tavern with her Tramp in hand was enough to make their life worthwhile. Not unlike how they danced the first night they truly became lost in each other's eyes. To her, it meant be forever young and in love together.
In an odd way, that was why she could not bring herself to look at their captor, twirling around humming to the creaking chords of the rusty old gramophone, even as the others dared the odd glance or just shut their eyes waiting for more discomfort; in her eyes, she knew Zira was lost.
For just a night, caught under the waltz's spell, Zira was young again; the belle of the ball, a daring debutante in the arms of a handsome stranger, a soldier, a suave gentleman with the most intriguing scar upon his regal-looking cheekbones up to his green eyes full of passion and drive. Her hands from the sleeves of her great flowing scarlet dress did not grasp empty air, not to her mind's eye, clouded with the dreamy look of a girl's first love.
The lioness moved around the bumping and gyrating canines as she twirled and danced. Letting go of her invisible partner now and again with a stray hand in order to run her fingers across a breast or thigh, cup the round swells of an exposed and presented ass, or tease a trembling mound and twerk a pleading muzzle. Pulling and pushing all the while in order to keep the suspended bodies thumping against one another.
Even Jenna could not help but notice that playful air to the demure widow, one she had seen far too often back home in Nome with some of her old acquaintances when they spotted a handsome fellow close-by, even if this one was one that only Zira could see; the teasing escapes that focused on a captive hound in order play hard to get, trying to fake looking away, trying to dance nearer to someone else to see if the real partner they wanted most would pursue.
The gramophone's track finally comes to a slow end at last, the aged lioness closing her eyes and taking a deep inhale. Slowly catching her bearings again, she playfully sauntered over to her captives and pulled back again on a wide-eyed Rita.
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The panicked whimpers and pleas were easy to ignore as, with all the mischievous glee of a young maiden, her age forgotten, Zira released her prisoner in the one way she knows full well that they would prefer not to be.
Rita swung down in a high arc, wide-eyed, the ropes creaking as they brought her into a hard impact with the shivering Irish setter. Who in turn was sandwiched against the well-proportioned husky. The poor little king cavaliere, the smallest of them all, found herself smushed up onto the cocker. Who with a soft whine was swung out in just enough of an arch to settle back and start the process in reverse.
Zira almost giggled giddily as she took in the sight of their bodies meeting, albeit still unable to hide the rasp in her voice from her age and years of smoking, she practically skips over back to the gramophone to wind it up again.
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